왕의 남자

Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. McQuigg, the only honest police captain on the force, and his loyal patrolman, Johnson, take on the violent Nick.

Based on Güner Sümer's play, Bozuk düzen tells the story of four children (Erol Keskin, Nedret Güvenç. Ekrem Bora and Salih Güney) trying to survive difficult relationships and situations they are involved in.

Live-action adaptation of the "Seikimatsu Bakuroden Saga" manga by Akira Miyashita.

General Kwak, despite having retired from military service, organizes a small army to resist the onslaught of an invasion from Japan in the early Chosun Dynasty

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.