ODessa 2025 - Movies (Mar 20th)
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Family Feud Canada - (Mar 20th)
Crimewatch Live - (Mar 20th)
The Nature of Things - (Mar 20th)
Paradis City - (Mar 20th)
Canadas Ultimate Challenge - (Mar 20th)
NCIS- Sydney - (Mar 20th)
Bangers and Cash - (Mar 20th)
Australia- An Unofficial History - (Mar 20th)
The Weekly with Charlie Pickering - (Mar 20th)
The Chase Australia - (Mar 20th)
Vince - (Mar 20th)
Pawn Stars - (Mar 20th)
Beyond the Gates - (Mar 20th)
Love Is Blind- Sweden - (Mar 20th)
The Thundermans- Undercover - (Mar 20th)
Reacher - (Mar 20th)
The Wheel of Time - (Mar 20th)
House of David - (Mar 20th)
Battle of Cualicán- Heirs of the Cartel - (Mar 20th)
Cóyotl, Hero and Beast - (Mar 20th)
In April 1939, "Grapes of Wrath" entered the pantheon of literature with a bang. Americans are at loggerheads over the odyssey of the Joad family, tenant farmers from Oklahoma who, like thousands of others, were driven from their land during the Great Depression. Eighty years have passed since the famous work was published, and 90 years since the beginning of the Great Depression in 1929. To mark this occasion, the documentary examines the genesis of the novel, its themes, its renewed reception during the financial crisis of 2008.
Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.