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Dan_Tebasco Review by Dan_Tebasco ★★★ The third Tupac Assassination film and definitly the best of the bunch, as the previous 2 were sloppily made and rather forgettable. The previous installments was TUPAC ASSASSINATION and TUPAC ASSASSINATION II: THE RECKONING (revised, rereleased and repackaged as TUPAC AFTERMATH). Now that said, this is still not a great piece of documentarial work. In fact the editing is still not that good, I do believe that Richard Bond should have left the editing to the proffesionals. Very often you are given information in form of written text and audio, and some of these times the information is different from the other so you have to be able to not only read and process what is said in written form while simultaniously processing whatever the person interviewed is saying. Which makes it a bit confusing at times and you kind of have to add 1 and 1 together to get what they are trying to say with the documentary and instead of digging deeper and deeper into some information that seems important they instead just jump to the next thin on their mind. As expected a bunch of the clips in the video are reused footage from the previous Tupac Assassination films and interviews that Jesse Surratt (aka J Mix) made for his youtube-channel which is dedicated to the life of Tupac and people that knew him (who got a producer slot on this film) and from other stuff. Another thing is they add a couple things that are pointless to the subject really, like for instance they talk about there being disputes within Death Row. Which is fine and all but some examples they give are really stupid, like for instance they have an interview with Crooked I talking about how there was a DVD made by the Crips dissing Death Row. And they make it look like this happened in 1996. First off, DVD's didn't exist in 1996. Secondly the DVD in question is a DVD called THA ROW KILLA which wasn't released until 2003, many many years after both Big and Pac had been dead and is completely irrelevant to anything in the documentary. And stuff of this nature, not too much of it luckily but some. And often names are spelled wrong and the like. So yeah needless to say it's a bit rough-handled. It also pack in a segment where they discredit the documentary/book MURDER RAP which came out last year and people then saw as the gospel of how it all went down. But learning my own experience from watching BIGGIE AND TUPAC by Nick Broomfield when it came out and thinking that Suge Knight was the man behind the killing for many years (to later realise that that was pretty dumb) I knew better than to jump to any conclusions that time around. Especially considering the fishy circumstances of the interview of the alleged driver of the shooting (which was really the only 'proof' that documentary offered). Anyway just like the documentary I'm straying a bit away from the topic here, but yeah it's a decent watch. But if you don't have any background information on Death Row records, Tupac Shakur etc etc you'll probably not understand half of what is being talked about. And even then it will probably be a bit confusing... That said, the theory given is a pretty interesting one.
"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.
Alex Jones interviews Walter Burien, commodity trading adviser (CTA) of 15 years about the biggest game in town. There are over 85,000 federal and regional governmental institutions: school districts, water and power authorities, county and city governments – and they own over 70 percent of the stock market.
Alex Jones exposes the growing militarization of American law enforcement and the growing relationship between the military and police. Witness US training with foreign troops and learning how to control and contain civilian populations. You will see Special Forces helicopter attacks on South Texas towns, concentration camps, broad unconstitutional police actions, search and seizure and more.
Alex Jones exposes the problem-reaction-solution paradigm being used to terrorize the American people into accepting a highly controlled and oppressive society. From children in public schools being trained to turn in their peers and parents, to the Army and National Guard patrolling our nation's highways, Police State: The Takeover reveals the most threatening developments of Police State control
The Masters of Terror details the execution of the September 11th attacks and the ensuing whitewash, the cashless society control-grid, implanted microchips, mind-control, militarization of police, concentration camps, foreign troops massing on US soil, the USA Patriot Act, and Homeland Security taking over the states.
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
Shocking new evidence of highly advanced civilizations mounts as previously unexplored regions of the earth reveal mind boggling artifacts that defy all convention and utterly mystify today's academic and scientific factions. It's clear there are massive gaps between our current understanding of the cosmos and the origins of humanity and that of ancient civilizations that existed before "recorded history". Experience unprecedented relics and artifacts that force us to re-evaluate the mainstream dogma of who we are and where we came from.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
After John Wilkes Booth assassinated President Abraham Lincoln, he escaped to Maryland and was discovered hiding in a barn. After he refused to surrender, the barn was set afire and Booth died in the blaze. However, in 1903 a Mr. David E. George, while on his deathbed in Enid, Oklahoma, claimed to be John Wilkes Booth. This MGM An Historical Mystery series short presents evidence of the possibility that Mr. George's claim was true.
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.