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A slow-burn horror that doesn't quite burn enough. Before I get started let me just say that angst and anger are not the same thing. I have read so many reviews that have described the character of Leah as angst-ridden. Angst is fear or anxiety, often about the future, it is not the same thing as anger... Leah is a teen living with her grieving mother. She likes black metal and the occult. She's not completely off the rails, still respects her mother, but she is clearly dealing with the loss of her father as is her mother. Her mum decides it is time to uproot from the family home and shift to a cabin in the woods. After a massive argument the angry teen summons a demon/witch/entity to kill her mum, and spends the rest of the film regretting and trying to reverse the ritual. There's some good acting, some nicely fleshed out characters with a lot of grey moral areas, no one is completely good or completely bad. The mother is simultaneously cold, selfish, distant, loving, caring and concerned. The daughter is angry, upset, respectful and loving. The witch is a little like the shark in jaws, all subtle out of focus, with only the odd decent look at it. That is both a good and a bad thing. Fans of horror might feel let down, but fans of thrillers might think it is all a little too much There are some monumentally bad decisions which are hard to get over, and the ending lacked some punch, but it is mostly a well made quiet film. 6/10
Alone Alone 2020 ★★★½ Rewatched 17 Sep, 2020 Surly goth teenagers dabbling in the occult have become a horror movie cliché, but with Adam MacDonald's follow-up to his excellent debut Backcountry, it is an effective and compelling slow burn. With great performances from the leads (including Laurie Holden of The Mist and The Walking Dead), it explores what happens when a troubled teen follows up on her darkest wish. The final act is creepy and disturbing even though it comes to an abrupt end too early leaving us wanting more.
Four people return to the haunted woods where their friend was eaten by an ancient monster. Because they want to fight it. Because they're stupid.
A woman must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard. The return home forces her to confront her past.
By order of the sheriff, a freshly transferred deputy must spend the night in a remote shed with only a flashlight, a shotgun, and a promise that he's fulfilling the oldest tradition in Beecher's Gate.
Rei helps the woman she's been in love with for years escape her abusive husband. While on the run, their feelings for each other catch fire.
Officer Joe Vickers would probably make a good policeman if it weren't for his two nasty habits. Firstly, he is a devoted satanist; secondly - he likes to kill people. When he meets a group of teenagers spending their vacation in a wood hut, he decides to investigate.
A group of office workers decide to have a party in the office building. Among other things, they want to have some drugs there. Their conversation on the subject is overheard by Joe Vickers, which is rather unfortunate for them, since Joe Vickers is a policeman. Even more unfortunate is the fact that Vickers is also an undead psychotic satanist, and instead of arresting them, he will make sure that nobody leaves the party alive...
A mysterious love triangle leads to a tragic shooting. Months later, eight members of a MySpace-esque chat room are being gruesomely murdered in the privacy of their own homes.
When a gunman opens fire on a crowded city bus in San Francisco, Detective Dave Evans is killed, along with the man he'd been following in relation to a murder. Evans' partner, Sgt. Jake Martin, becomes obsessed with solving the case.
Jakob Kelser is a lonely man living in a run-down house on the edge of a council estate. After enduring weeks of aggrevation and torment from local youths , Jacob, in a last-ditch attempt to once again lead a normal life, plots his revenge on his unsuspecting tormentors. One by one, they're be taught a lesson. One by one, they meet their deaths.
Under the thumb of Nurse Baker, Nurse Maggie Collins struggles to care for the long-term residents of Moss Oak Manor, a home for the elderly. When good intentions are misinterpreted, Maggie must struggle to address issues of ambition and ethics.