Gli assi della risata

Italian movie by Max Nardari starring Mohamed Zouaoui, Michela Andreozzi

In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.

These intertwining stories about romance and separation follow a firefighter who can't find the right time to propose, a shy theme park worker who falls for an artist, an estranged mother and son, and a man seeking to regain his lost love.

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Jae-min, still getting over his ex-wife Ha-ra, is a talent agent who takes care of actors and actresses with personal issues. They wouldn't leave him alone and kept pushing him to find more auditions for them. At his birthday party, his family tries to give him advice in vein, and to make it worse, Hara phones him every once in a while and confuses him. To Jae-min, being heartbroken with the irrevocable memories of the old days with Hara, Ga-hwa is the only shelter, although the staff there are not any better. Each day of life is tough, But isn't it true that all the meaningless chat, bullshit and nonsense altogether form the universe? The universe is getting old since its birth 15 billion years ago. In this universe, we are probably each other's merciful purgatories.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan - that every agent will be named 'James Bond'. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

Oki, a film student, gets involved in two relationships as she navigates the advances of a fellow student and grapples with her feelings for her much older professor.

The main thing is sexy - no matter whether thin, fat, what skin color, young, old, we can all be sexy in different ways. Almost every woman grows up having to work on herself in order to remain desirable. Why? What if we stopped pushing ourselves into a sexy pose with all our might? What if we no longer fought for the right to be sexy, but were truly free? What if we stopped investing all our time and energy in being heard and the world started to hear us? A modern movie about modern women and men - who might be able to find a common language.

A quintet is an omnibus feature told from the perspective of five international up and coming filmmakers who are searching to find identity in the modern world. The five segments are : "Polaroid" by Roberto Cuzzillo; "Friend Request" by Elie Lamah; "The Cuddle Workshop" by Mauro Mueller; "The House in the Envelope" by Sanela Salketic; and "The Tourist" by Ariel Shaban.