Desert Bandit

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

Sandy Doyle, gambler and political chief of a small border town, seeks to gain control of the Bar-X Ranch, owned by Rufe Rickson, to further some undercover activities of his own. He counts on Rickson's inability to stay away from gambling as the means to his ultimate success. Government investigator Oliver Shea and his assistant, Dan Haggerty, start a fight in Doyle's place when they see Rickson being cheated and are invited to the Bar-X where Oliver and Helen Rickson, Rufe's daughter, discover interest in each other and Dan finds himself pursued by Bell, the ranch cook. Sheriff Larson brings the prize money for the $5,000 race of the Rodeo Association, and that night it is stolen.

Rex Allen against diamond smugglers down Laredo way

During the Civil War, Confederate soldiers escape from a Union prison and head for the Mexican border. Along the way, they kill a Union courier bearing the news that the war is over. Keeping the message a secret, the captain has his men go on and they soon find themselves in a battle with the Union search party who also is unaware of the war's end.

Union officer Kerry Bradford escapes from a Confederate prison and races to intercept $5 million in gold destined for Confederate coffers. A Confederate sympathizer and a Mexican bandit, each with their own stake in the loot, stand in his way.

Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).

Cowboy T-man, Rex Allen, and his partner, Homer Oglethorpe (Buddy Ebsen), go undercover to track down some gold smugglers.

Chip of the Flying U was Johnny Mack Brown's first western entry for 1940. Brown essays the title role of Chip Bennett, foreman of the Flying U ranch. Before the second reel has tumbled over the spools, Chip finds himself falsely accused of robbery and murder. The actual miscreants are in the employ of a band of foreign gunrunners, who speak in heavily Teutonic accents. Rest assured that Chip makes short work of these bush-league Storm Troopers before the sun sets in the West. Musical interludes are provided by a group calling themselves the Texas Rangers, even though they actually hailed from Kansas City.

Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.

Mountie Matt O'Brien is assigned to escort Miss Owens to a remote outpost. But when he finds an illegal mining operation there that is smuggling gold across the border, his superior Sgt. Means orders him to leave.

Eva embarks escapes her harsh reality by escaping into the fantastical worlds of a book that she encounters.