Les Glaneurs et la Glaneuse

What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.

Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.

Alfred Brendel, one of the greatest of all pianists, plays and reflects on Franz Schubert’s last three piano sonatas. As he points out, Schubert can’t have known that he was soon to die, so they probably do not embody the air of resignation and finality future generations have sentimentally insisted they bear. They were however long neglected, all but forgotten, and only in more recent times have they come to be treasured and performed. The repose and wisdom of the maestro, together with the patient observation of one who is no stranger to the idea of the irrevocably lost, of the erasures of history, and of the value of fragile objects passed carefully from generation to generation, is a joy.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.

This first-person documentary provides an inside look into the terrifying and bloody events that shook Central Europe in the 1990s, as the filmmaker takes a trip along the road that once united the disparate states of Yugoslavia, from Slovenia to Macedonia. A film about memory, hatred, love and hope.

The film shows the micro cosmos of three generations of women from one family. In detailed observation their movements between the present and an ever existing past is followed as their lives intersect while living together in one house. Coexisting, but separated by the age and time that each carry in them, they share their painful experiences and search for a way of life in the loss and agony of the war around them. Their lives overlapped with the events of Damascus, their city and constant reference, they watch while its organs slowly shut down, as if – just like its population – it is dying from a long coma.

An intimate portrayal of life on the edge in the war-torn city of Sderot. Once known for its prolific rock scene that revolutionized Israeli music, for thirteen years the town has been the target of ongoing rocket fire from the Gaza strip. Through the personal lives and music of Sderot's diverse musicians, and the personal narrative of the filmmaker, who ends up calling the town home, the film chronicles the town's trauma and reveals its enduring spirit.

TV series directed by Varda in which she gives thoughts to her favorite images and why she is drawn to them (in short one minute segments per image)

A short visual meditation, OF THE UNKNOWN is set in Hong Kong where millionaires and the ‘working poor’ live side by side in one of Asia’s wealthiest and most densely populated cities. The film explores how our notions of freedom and happiness are shaped by the place we occupy, both literally and metaphorically, in our society. What is the importance of freedom when one faces a daily struggle for survival? Is it even possible to have dreams, or to dream, if one was never given any opportunities in life? https://vimeo.com/113548756

Shia LaBeouf watches all his movies in reverse chronological order over a period of three days while you can, via live stream, watch him, watch himself.