War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
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Gogglebox - (Mar 28th)
How does a non-actor become the lead in the highest grossing movie of the year and then not continue to act afterwards? Do we have a new genre of film – the Docody (can I call a documentary-comedy that, because it sounded better than commedary)? Is all of this just stranger than fiction? All of these could be used to describe this film, but there is so much more to George Lazenby's life story... especially the way he tells it... So, what is it then? Firstly, Becoming Bond is not the Thin Blue Line, Grizzly Man, Bowling for Columbine, Citizenfour or any of the Oscar winning documentaries that you've seen. In Becoming Bond, Lazenby talks about his life, at times brutal honesty and poignancy. Distilled from about forty hours of interviews, it could be surmised as boy meets girl, boy becomes man, man becomes Bond – but that sells it short. George has lived an interesting life and describes it in equally engaging ways. What this means for the narrative is that sometimes the truth is not always bland... so much so that 40 minutes in: Director: How much of this story that you’ve told me is true? George: Which one? Director: The whole story... George: Hey, how can I remember it if it wasn’t true? Becoming Bond is made similarly to Touching the Void with actors dramatising parts of the story. But where that doco was drama, this is more comedic and fittingly, the acting here is playful – reminiscent of the TV series and archetypes of that era (think Batman or the Brady Bunch). Technically, the film is solid, the directing and editing are sound and the score hints at Bond themes whilst staying individual (much like George's Bond). Josh Lawson has obvious fun (he picks up George's swagger and little mannerisms well) and little cameos also pepper the film (Jane Seymour, Dana Carvey). One criticism that can be raised is that the secondary characters are very one dimensional, but I feel this is in line with the narrative of the film – it's George's take on his own life. Becoming Bond is one of the most enjoyable documentaries I've seen. It's not a perfect film; Shakespearianly dramatic; nor is it covering a life changing topic. But what makes this movie special is that its just how I'd picture it if I happened to have the good fortune to ask George the same questions over a beer or six. And thats a credit to both the filmmakers and Lazenby.
A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.
Abdelkader ibn Muhieddine (Arabic: عبد القادر بن محي الدين (ʿAbd al-Qādir ibn Muḥyiddīn), also known as Emir Abdelkader, or Abdelkader El Djezairi (Abdelkader the Algerian), born September 6, 1808 in El Guettana, in the regency of Algiers, and died on May 26, 1883 in Damascus, then in the Ottoman Empire and in present-day Syria, is an Algerian emir, religious and military leader. Barely 20 years old, he federates the tribes and led a struggle against the conquest of Algeria by France in the middle of the 19th century.After his surrender, he was held captive in France before going into exile in Syria where he devoted himself to poetry and established great relations friendship with Paris, which showered him with honors after having intervened in favor of the persecuted Christians in Syria, he intervened by force to protect the Christian families who came to take refuge in large numbers in the Algerian district. of certain death.
Dramatic, moving and deeply human, ARMSTRONG offers the definitive life story of Neil Armstrong: from his childhood in Ohio to his first steps on the Moon, and beyond.
In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.
The life and career of an actor, artist, and icon. His own journey through his own camera.
In this artistic exploration of the life and work of writer Henry Miller, filmmaker Joe Kishton skillfully weaves clips of films and interviews of Miller with the music of Laurie Anderson. From Miller himself we hear of his difficult relationship with his parents, and of his need to create, even (or especially) when his message abrades social mores.
Austrian actress Romy Schneider (1938) and French actor Alain Delon (1935), once fervent lovers in the early sixties, maintained a close friendship and a certain working relationship after their breakup until her death in 1984: a universal and eternal love.
The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.
Three brothers - Marshall, Marty and Mark dream of becoming naturalists and portraying animal life of America. One summer their dream comes true, they travel through America, filming alligators, bears and moose.
The 10-year-old Hubert Finn, known as "Fatty", lived in poor conditions in Australia in the 1930s. He and his friends stick together as they often have to defend themselves against the villain Bomer and his gang. Fatty wants a detector radio, but can't afford it. He has to raise money for it within a week, otherwise he won't get the radio ...