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The Cronenberg name is tightly associated with the body horror genre, and rightfully so. 'Possessor' feels like a fever dream, delivering unsettling violence, thought-provoking creativity and remorseless direction. Its revelations about the monsters within, summed up in its shockingly grim climax, have a lasting resonance. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-possessor-engrossingly-gross-cronenbergian-body-horror
I just wrote a review about how mainstream critics don't "get" horror, elevating attempts at filmmaking "art" over the basics that horror fans love. "Possessor" is an exception where critics (72 Metacritic Score) and users (7.6 Metacritic Score) agree that it's a pretty damn good flick. The acting is excellent. Andrea Riseborough from "Mandy" is creepy odd (again) as a mind-possessing assassin, and Christopher Abbott from "It Comes at Night" is a depressed AND possessed soul for the next assassination. There are too many adjectives to list to give the film justice, so here's just a few: disturbing, violent, bloody, mind-bending, visual, provocative, While Brandon Cronenberg may have a similar interest in melding technology and horror as his father David Cronenberg, he is introducing his own style and originality. Very much like like Joe Hill has done with father Stephen King. All of which is nothing but a bonus for horror fans.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com In a year where the horror genre didn't have that many great representatives, Brandon Cronenberg's remarkably captivating concept is an instant attention-grabber. Boasting two phenomenal performances from Andrea Riseborough and Christopher Abbott (Colin Tate), Possessor is one of the most visually shocking films of 2020. From the extreme gore to the unrestrained depiction of insanely violent murders, Cronenberg fills his movie with creepy imagery that will definitely trigger many viewers to simply give up. Its slow pace helps establish the never-ending suspenseful atmosphere, which ultimately delivers some of the most intense sequences I've seen in a long time. Despite the interesting narrative and its eye-opening developments, Possessor fails to keep the momentum going throughout the entire runtime. The weird imagery helps with visual storytelling, but it reaches a point where it becomes too distracting and unnecessary. The third act is also quite predictable, contrasting with the somewhat surprising first half. In the end, it's still one of my favorite horror films of the year. Rating: B+
A rich but miserly old man taunts his relatives about who will get his money when he dies, and is soon mysteriously murdered. It turns out that he has left his estate to a beautiful young actress whom the other relatives didn't know was related to him. Several attempts on her life are thwarted by a detective, who sets out to discover who's behind the scheme to kill her.
When a group of scientists developing an engine for interstellar travel see their funding cut after a fatal disaster, the disgraced group must resort to criminal activity to finance their operation as they rebuild their space time device.
Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.
A young man finds out that he holds the key to restoring hope and ensuring survival for the human race, while an alien species called the Drej are bent on mankind's destruction.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Years after the Racoon City catastrophe, survivors travel across the Nevada desert, hoping to make it to Alaska. Alice joins the caravan and their fight against hordes of zombies and the evil Umbrella Corp.
A group of strangers trapped in a farmhouse find themselves fending off a horde of recently dead, flesh-eating ghouls.
Martin Brundle, born of the human/fly, is adopted by his father's place of employment (Bartok Inc.) while the employees simply wait for his mutant chromosomes to come out of their dormant state.
Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad's wife and their baby.
When a clergyman is accused for the murder of a social worker, the parish priest recruits a reporter (and his ex-girlfriend) to clear his name.
A jaded homicide detective has been put on the case of a ruthless killer in the city of Chicago, who leaves a trail of horribly mutilated and dismembered corpses along with perversely ironic biblical quotes.
