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There once was an ugly duckling... The Rainmaker is directed by Joseph Anthony and written by N. Richard Nash. It stars Burt Lancaster, Katharine Hepburn, Wendell Corey, Lloyd Bridges, Cameron Prud'Homme and Earl Holliman. Music is by Alex North and VistaVision/Technicolor cinematography is by Charles Lang. Starbuck (Lancaster) is a conman who arrives in the little town of Threepoint and promises to deliver the rain to end the town's crippling drought problem. More telling, perhaps, will be his impact on the Curry family... N. Richard Nash wrote it as a television play and would then see it hit the Broadway stage, so he was the logical choice for screenplay duties here. The film very much feels like a play, with very pronounced acting and sharp dialogue, it's also - at just over two hours in length - far too long for a talky based production. Thirty minutes could quite easily have been shaved off here. There's also the contentious casting of the Oscar Nominated Hepburn, who in many people's eyes - myself included - is miscast and just doesn't sit right in the role, leaving it to Lancaster to bring the flight and breeze to light up the piece. However, to enjoy the art of acting brings some rewards, it's also a pic of crafty humour and features a story of considerable humane substance. That one man, a scallywag, can have such a positive impact on a sterile backwater family, builds nicely to an ending that is a complete joy, a real smile raiser. It's also handsomely photographed by Lang, the colour lensing so smooth, and the production design, backed up by North's most appealing musical score, ensures you know that the makers cared about what they were doing. Relationships on set were initially rocky, but the principal stars would come to be friends and speak fondly of their time on the film. 6/10 Footnote: The material would also be turned into a musical titled 110 in the Shade.
A group of outlaws awaken to find their hard-earned bag of loot from a daring train heist is empty. A high-stakes interrogation begins as each cowboy becomes the focus in an attempt to unmask the thief among them. With no witnesses and only unforgiving wilderness around, tension mounts as each bandit struggles to clear their name before bullets fly.
A silent tale about a dying love. Symbolisms and sounds are the elements used to explore the birth and destruction of a universe derived from the exchange of behaviors and beliefs when two individuals collide. - The film was recorded in the desert of White Sands in New Mexico. BEST EXPERIMENTAL FILM at TRANSFORM FILM FEST 2018 WINNER - EXPERIMENTAL FILM FEST 2023 - Una historia muda sobre un amor que muere. Simbolismos y sonidos son los elementos utilizados para explorar el nacimiento y destrucción de un universo derivado del intercambio de comportamientos y creencias cuando dos individuos se encuentran.
Lacho Cuevas is the old thief of the town, exiled years ago because of his crimes. However, due to a series of robberies against the town's merchants, Cuevas is hired by the Sheriff to help catch the mysterious thief "Black Rider".
Period drama Black Velvet Band takes us back to Victorian times when a gang of petty crooks find themselves sentenced to transportation to Australia, their ship, however, docks in South Africa and the gang manage to make their escape. The film starred Nick Berry, Chris McHallem and Todd Carty, who had all previously appeared in EastEnders together. The initial idea came from McHallem, whilst Nick Berry, thanks to being the darling of ITV at the time because of his hit show Heartbeat, had the clout to get it made.
A lone drifter wandering a brutal world meets an enigmatic stranger who challenges his most deeply held beliefs.
A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.
Cowboy, a young transgender man, flees his hometown in search of a new beginning but the shadows of his past trail closely behind him.
