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This is absolutely not my sort of thing. I watched _When We First Met_ because Alexandra Daddario is in it and that is the end of my reasoning. But I was actually pretty pleasantly surprised. Not enough to come away from the movie with a hearty, wide-net recommendation, but it did give a fix for a lot of the problems that I usually find inherent in American Romantic Comedies. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
When We First Met is another entry in the sub-genre of films that I will call, for lack of a better term, Groundhog Day movies. The most recent entries I have seen are Palm Springs and Russian Doll, though the latter is a limited series. They are also called time loop movies, though I prefer my term, which was even used by NewYork Yankee manager Joe Torre to describe his team being beaten in very much the same way in two consecutive championship games. Life imitating art. I enjoyed the movie overall. There are a few twists to the time loop format. For one thing, in this movie, our hero (?) Noah chooses to relive the fateful events to get the result he wants rather than having it forced upon him. Also, he doesn’t merely relive one day but two: the day he is trying to change and the day three years later when he sees the longer term result of his time-tampering. A third twist is — but that one is best experience in real time, so to speak, so I am not going to give it away here. I enjoyed the movie mostly, with just a few icky or cringeworthy moments, and would probably watch it again given the chance. It is witty and most of the characters have some depth to them, not just the two leads. As a side note I offer an observation that hadn’t occurred to me while watching other “Groundhog Day” movies, and which has nothing to do with how good this movie is. I was thinking about how we only get to see Noah’s repeated versions of events. If the movie was following Avery or Carrie, for example, we would see that they don’t know they are living the same days over and over again. They make decisions, but they are only based on what Noah has set up for them each time. He is like a tin god in a way, as deeply flawed as any of the world’s flawed gods. They doin’t get to see all of the versions and decide; he decides for them based on what he feels they want and is best for them. Little tin god. Sorry; that is digging a little deep for a romantic comedy. is fun and I recommend it on that basis, at least.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.
This Metaphysical Dark Action Comedy "A MAN CALLED NEREUS" is the debut feature of writer/director Nathan Hill, for Armored Vision. Nereus is an autistic man who is being held captive by the Filaria crime family due to his unique ability to predict the exact outcome of sporting events through time travel. However, this all changes the moment he is kidnapped by a junkie who plans to take him to Las Vegas. Now on the run, the two must weave through madmen, corrupt law enforcement and new-age terrorists.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.
