古都

In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.

Kyoto during the Heian period (the 10th century) in Japan. Tens of thousands dead, gutters filled with corpses, children abandoned in the mountains, and groups of wild dogs vigilantly watching outside the city. The elegant image of the Heian period has been shown in many literary and artistic works. However, Katabuchi's new work takes us back to Kyoto a thousand years ago, when the city was shrouded in darkness due to repeated epidemics of plague.

Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his family to leave for the city in search of higher pay to support them.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

Set in an old merchant house in Kyoto, the film traces the passing of an era through the story of a parent and child.

In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lord Kira. Lord Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.

Japan, 1137. The Taira family, a samurai clan, becomes involved in the disputes between Emperor Toba and the monks of Mount Hiei.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.

Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.

Country bumpkin Haruko only ever wanted to become a maiko, an apprentice geisha. Initially rebuffed for lack of references, Haruko's strong accent intrigues a linguistics professor, who undertakes to coach her.