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Mann's film will certainly please those who are fans of 'Grand Hotel' and other such star-packed films with a soap operatic-flavor, although it definitely is smaller in scale. It has several of my favourite stars from that era, such as Deborah Kerr, Rita Hayworth, David Niven, Dame Wendy Hiller, Burt Lancaster and Rod Taylor, and their interplay befits such fine casting. It's weird seeing Lancaster and Niven cast as rogues, that a film set in Dorset, England was made entirely in Hollywood and that the screenplay was an amalgamation of two one-act plays by Terence Rattigan, opened up in order to include more stars. The endeavor worked, as Best Adapted Screenplay was one of its seven Oscar nominations (it ended up winning two, for Niven and Hiller's performances). I heartily recommend the film to anyone who enjoys either any of the aforementioned stars or fine films of the era (especially ones about the British, and ones derived from the stage). It'll certainly be 100 minutes worthy of your effort--Mann was one of the best at this sort of thing (also see 'Marty' if you have any such doubts)...
Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.
Kit Madden is traveling to Hollywood, where her best-selling novel is to be filmed. Aboard the train, she encounters Marines Rusty and Dink, who don't know she is the author of the famous book, and who don't think much of the ideas it proposes. She and Rusty are greatly attracted, but she doesn't know how to deal with his disdain for the book's author.
The story of writer Xiao Hong comes alive through memories of her great love affair, literary influence and escape from China during World War II.
Two strangers, whose paths are always crossing, finally meet when fate steps in. It took them twenty years to fall in love at first sight.
Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.
Based on the Depression-era bildungsroman memoir of writer A. E. Hotchner, the film follows the story of a boy struggling to survive on his own in a hotel in St. Louis after his mother is committed to a sanatorium with tuberculosis. His father, a German immigrant and traveling salesman working for the Hamilton Watch Company, is off on long trips from which the boy cannot be certain he will return.
An aging king splits up his kingdom for his three daughters to govern, but is misled about their affections and driven into exile.
Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
Hopeless romantic Gertrud inhabits a turn-of-the-century milieu of artists and musicians, where she pursues an idealized notion of love that will always elude her. She abandons her distinguished husband and embraces an affair with a young concert pianist, who falls short of her desire for lasting affection. When an old lover returns to her life, fresh disappointments follow, and Gertrud must try to come to terms with reality.
When a love letter falls into Sara's hands that is not meant for her, but whose addressee remains unclear, her curiosity is aroused. The words on the paper have caused something in her to resound, which she wants to trace. The surprising path of feelings makes its way through the jungle of life.