K.O.

A rookie Air Force drone pilot finds himself increasingly attached to a target he watches from halfway around the world.

Advertising exec Natalie engages in a passionate, but brief, love affair with a stranger named Kurt. When Natalie returns to her boyfriend, she finds that Kurt isn't so easily dismissed.

An elderly widow (Joan Benac) starts to wonder what happened to a would-be lover from her past who appeared with her in a live televised drama in the 1950s. After discovering the show in CBC’s archive, her granddaughter Audrey (Deragh Campbell) attempts to try and track the man down.

After his mother's death, Chan Kai-yuk feels so alone that he leaves Guangzhou for Hong Kong to look up the father who abandoned him and his mom. But Yuk's hopes are dashed on finding his dad has a new family and considers him a burden. Alone and homeless, Yuk is taken in by Auntie Fen, a middle-aged recluse who leads a solitary existence. At first, their different habits and personalities lead to numerous squabbles, intensified by Yuk's self-centeredness and Fen's odd temperament. As time goes on, Yuk learns Fen is in the early stages of Alzheimer's. The discovery unexpectedly serves as a catalyst for the young man's growth as a caring friend. For the first time in her life, Fen feels truly blessed. But it is a situation rife with irony due to the nature of her disease and the accelerating elusiveness of feelings and memories.

Gilberto, a young man from the countryside, arrives in the city with the aim of carving out a future for himself. Initially he is dazzled by the sparkling image of the city, the spoiler of civilization, which will batter him until his personality undergoes a radical change.

A California rancher hires a private detective to deliver the rancher's long-lost daughter to him. However, several people, including the rancher's new wife, his foreman and a crooked sheriff, don't want the girl-who would inherit the rancher's large spread if he died-to make it to the ranch alive.

Marsha is simultaneously fascinated and furious when her first date with office manager Mike turns into a session in bondage and tickling. He ties her up with a rope and tickles her until she can barely stand it anymore. Marsha tells her co-worker Debbie about it, and Debbie tries to wrangle a date of her own with Mike. All goes according to plan until Marsha finds out about Debbie and invites her over for a little tickling payback of her own.

Under the direction of a wealthy pervert, young women are being kidnapped, shipped off to a remote ranch and forced to submit and behave like horses by a whip-wielding dominatrix. This shot-on-video thriller with just R-rated nudity is noteworthy as one of the only non-porn films Traci Lords appeared in prior to the discovery of true age. She co-stars along with future Scream Queen Michelle Bauer.

Young women are being kidnapped by a rich sleazebag and his goons and are taken to a farm. At night they are forced to sleep on a barn floor. During the day, they are at the mercy of a sadistic dominatrix who dresses in leather outfits and forces them to behave like horses. This video uses footage from Pony Girl (1985) and Pony Girl Number Two (1985), with Traci Lords edited out of the proceedings despite the fact there's no X-rated material in the original tapes.