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An early Almodóvar that is more like a novel from Amanda Gris, the protagonist of the movie. Not brilliant, but a respectable romantic comedy.
Though I found there to be just a bit too much frenetic dialogue, this is still quite a funny evaluation of a failing relationship. It's "Leo" (Marisa Paredes) who has just gone off the boil a bit for her soldier husband "Paco" (Imanol Aris) whose career takes him from war zone to war zone with little time for her. What now ensues is a gradual character evolution for this author of romantic fiction who is conflicted by her affection, to an extent, for "Paco" whilst realising that that way madness lies and a new life is imperative. Now the thrust of the story is hardly innovative. She has a few character flaws of her own - she does like a bottle or two and to be fair to him, it's not like he has just taken up the military responsibilities he has always had. She also has a mother (Manuela Vargas) who might wear down the best of us, and after a while we begin to need more sustained comedy to help us escape the increasing melodrama. Usually Almodovar is better at providing that, but here - well not quite so much. That said, though, this features an engaging effort from an on-form and lively Paredes and her gay friend "Angel" (Juan Echanove) provides an effective foil now and again as this meanders, entertainingly enough, through the women's life of longing, passion and frustration. This is not a film I reckon I will recall for long, but it's a decent enough watch while it's on.
Two men share an odd friendship while they care for two women who are both in deep comas.
Despondent over a painful estrangement from his daughter, trainer Frankie Dunn isn't prepared for boxer Maggie Fitzgerald to enter his life. But Maggie's determined to go pro and to convince Dunn and his cohort to help her.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
In a small and conservative Scottish village, a woman's paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
Two youths, Niño and Compi, enter the world of drug smuggling in the Strait of Gibraltar; while two police officers, Jesús and Eva, try to eradicate the contraband.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
