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Most Latin American people are familiarized with those Mexican soap operas that are overflowing with baseless action and pitiful situations. They're undeniably amusing and it's all right to watch them if you're too bored and you want to have a good laugh. However, it's not funny anymore when you really trust an old Mexican Gothic horror film and you find one or two similarities between those ridiculous soap operas and the movie you wanted to see. Firstly, I would like to say that I do not mean to be rude to anyone with this review. I know Mexican people are very nationalistic and they tend to stand up for their films a lot. I understand that and to be honest, I actually really enjoy Mexican horror films too. That's the reason why I was somehow disenchanted when I found out that "El Espejo de la Bruja" was not exactly as good as I was expecting. The film sets in motion with a very well done introduction to the main characters, a beautiful woman named Elena and her godmother, Sara (also known as… The Witch!). The view is quite stylish and atmospheric. Both characters look darkly beautiful and yet naïve somehow. In this opening scene, Elena becomes aware of a very shattering truth about her approaching fate, through the magic mirror that belongs to her godmother. Unfortunately, this depressing reality cannot be altered, since all judicious witches know very well that the itinerary of life, is not meant to be disrespected. Broken-hearted and clueless, Elena has no choice but facing the reality and becoming a victim of her atrocious fate. As it was stated previously, all bright witches know very well that fate is not meant to be changed, however, there are no laws aligned with revenge. In "El Espejo de la Bruja", we see a resented woman trying to make justice and claim for the blood of those who harmed her goddaughter. Sara is the witch and when witches are good, they're very good, but when they're bad…. It would be unfair to say that "El Espejo de la Bruja" is only laughable and overwhelming when it comes to making a reasonable balance. My only problem is that there was a little bit too much action for my taste. During the first half an hour, it is like the audience has nothing else to see, but there's still more and more and more. All of a sudden, a dramatic Gothic horror tale turns into "Re-Animator". The bad thing is that the humorous situations are not exactly intentional. Armando Calvo's performance is perhaps one of the worst in this film and his facial expressions are merely side-splitting. The rest of the cast is all right, but the problem is that Mr. Calvo looked over the top all the time, which is a tragedy, considering that he's the leading male character. Then, there are all these scenes in which we see Rosa Arenas's character wearing some kind of big bandage that covers her entire face, with the two little holes for the eyes. That is perhaps one of the most hysterical images ever and I'm not just talking about this particular film. It resembles the invisible man, but wearing a delicate night gown. "El Espejo de la Bruja" is full of action, which can be entertaining for moments and overwhelming for others. It has a few good things that make it enjoyable for all horror fans, for example, the already established but still welcomed clichés like: owls, dark shadows of Satan, lots of fire, graveyard scenes, phantasmagorical silhouettes and of course...black cats!. Overall, an okay flick, but I still think I'm not the only one who lost interest during the last minutes, ironically due to the overindulgence of action. If you're in the mood for a good Mexican Gothic horror film, rent "La Maldicion de la Llorona" instead.
A young couple struggling with infertility seeks the aide of a healer with a promised remedy, while unknown forces also work to provide them with what they wish.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
A Catholic priest questions his faith after a botched exorcism. Strange occurrences deriving from a satanic cult have lead Father James Costello back to his old nemesis, Sheriff Tormada. Tormada, a self-loathing homosexual, sociopath and murderer, uses the law to his advantage to make Costello's life a living hell. Tormada is at war with the idea that Costello made peace with being gay. An unknown association hires a brother/sister team of Bosnian witch hunters/inquisitors to exterminate the 'problems' the town has been experiencing.
In 17th century New England, witch hunter Giles Redferne captures an evil warlock, but the conjurer eludes death with supernatural help. Flung into the future, the warlock winds up in the 1980s and plans to bring about the end of the world. Redferne follows the enchanter into the modern era and continues his mission, but runs into trouble in such unfamiliar surroundings. With the help of a young woman, can Redferne finally defeat the warlock?
Grieving his sister's death, Xen meets Aana, a dark arts practitioner offering vengeance. Drawn into a world of ritual and retribution, Xen must navigate the blurred lines between justice and revenge, deciding how far he'll go for power and retribution.
Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
An invisible entity haunts a 19th century family, and family secrets soon begin to surface. Based on the true events of the only case in US History where a spirit caused the death of a man.
A shy tattoo artist must infiltrate a notorious gang of surf witches to discover what happened to her missing brother.
An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome.
Wet Dreams, a middle aged male stripper group, take one last gig at a rural working mens club only to discover they are to become sacrifices in a plot to raise a murderous 16th century witch from the dead.
Young adults become fascinated by the events of the three missing filmmakers in Maryland, so they decide to go into the same woods and find out what really happened.