Il mio nome è Thomas

Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.

Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.

Jack is caught with the wife of his employer, a Vegas thug. The thug sends goons after Jack, who convinces his best friend, Pilot, to flee with him. Pilot insists that they head for Seattle, but doesn't tell Jack why. The goons learn from Pilot's drug source where the youths are headed, and they follow, hell bent on breaking Jack's feet. On the road, Jack and Pilot give a ride to Cassie, a distressed young woman. She and Jack hit it off. They pick up an aging stoner headed to Seattle for Kurt Cobain's memorial, and they help a circus sideshow family. Why is Pilot so set on Seattle, will the goons catch Jack, and is there any way the friends' competing needs can be resolved?

Antero and Maria Araújo's story is the shortcut chosen by the director to show life in Maraima, a small town in the state of Ceará, Brazil, including life in community and the military influence. Maria wanders through the state praying to ward off the symbolical presence of the Dragon. That's when she finds Antero, an end-of-the-world prophet, who will join her in her pilgrimage and fight against the mythical being.

The shy Byung-tae has a crush on Mi-ran, a college student. He fails to win her over. Disheartened, Byung-tae runs away from home in search of something more. He wanders the streets when he meets and hangs out with Min-wu, a beggar. They walk around the city when they meet Chun-ja, a mute maiden, in the red district. With Min-wu's support, Byung-tae wants to help recover Chun-ja's voice and find her hometown. They rescue Chun-ja and head for her hometown.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

High school student Tomoyuki (Hoshi Ishida), his father (Kazuhiro Sano), and Yuki (Miwako Wagatsuma), a girl that Tomyuki likes, gather together as a family and performs road shows out of their truck. A sense of loss, farewells, and relations are all brought out.

The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie-the cinematic genre the plot of which is developed during a trip.

A driver and a mechanic travel around the United States hopping from drag strip to drag strip in a 1955 Chevy Bel-Air coupe. They race for money, betting with their competitors. The pair gains a young and talkative female stowaway. Along the way they unintentionally attract a well-to-do drifter driving a new Pontiac GTO. This older man, looking for attention, antagonizes their efforts.

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.