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The documentary is a part of "Europe refuses to work" project. The goal of the project has been to gather together ideas and practices that are encouraging from the critique of work, which open up prospects for a more meaningful and sustainable world.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
This documentary follows a group of women on a typical workday as they prepare meals for a dockyard in Rostock. The viewer never learns their names - there are no interviews. The women are presented simply as workers: cooking, cleaning, hauling, and serving dishes amid clanking pots and hot steam.
The documentary looks at the various meanings of leisure in the contemporary world and presents its implications in the field of ethics, diversity, coexistence and citizenship, among other aspects that need critical analysis and proactive action.
It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.
A Rebel Without a Cause for a new generation, and one of the most defiant children to ever grace the big screen, 14-year-old Hai is a teenage terror, a high school dropout and an all-around badass. He is also entirely irresistible. You cannot take your eyes off this kid, complete with a motorbike and an everpresent cigarette butt drooping from the corner of his mouth. (Dorothy Woodend, DOXA Documentary Film Festival)
Three boys, they all committed murder. After discovering their haunting faces and disturbing stories in a banned prison documentary from 1984, the filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known.