Vengo Volviendo

To escape from a lack of perspective in Kosovo, Hana decides to resort to the services of Emir, an illegal smuggler in Serbia that will drive her to Hungary. On the way, complications arise as Emir's unscrupulous associates try to take advantage of Hana's vulnerability. In the midst of the frozen winter, Hana's courage and determination and Emir's principles and beliefs will be put to the test.

Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.

The zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

Longing for a brighter future, two Senegalese teenagers embark on a journey from West Africa to Italy. However, between their dreams and reality lies a labyrinth of checkpoints, the Sahara Desert, and the vast waters of the Mediterranean.

Just married Hong Kong couple Chen & Lily emigrate to England, soon to become parents to a little baby boy and generally struggle through life. Chen works long days in a restaurant, while Lily does the housekeeping, daydreaming of setting up their own business, much to Chen's chagrin. When Chen lets his colleague Fok seduce him down a path of mounting gambling debts, he is recruited as a drug courier for a shadowy Chinese triad. Suddenly he realizes that getting their own enterprise could be their only means of escape.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

18 year old Éric, on vacation in the South with his parents, decides to escape the stifling situation especially with his 50 year old father, and join a group of fellow youth.

Luka Banjanin is an unemployed young man living with his parents in Belgrade. He hangs out with few devoted friends who, like him, are yet to find place in a society that discarded young intellectuals. He plays saxophone and dreams about going to Oktoberfest, the annual beer festival in Munich, but he's being unable to get passport because of a smaller drug incident he had in the past. Totally careless about his long-term girlfriend, he suddenly falls for a mysterious woman who seems to appear in the same places as him, and then vanishes as quickly as possible. Believing that he's at the wrong place at the wrong time, Luka wanders from one misadventure to another, gradually losing the contact with reality and living out his own Oktoberfest in his mind.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

A migrant working-class couple, after losing their daughter to an ill-fated destiny, seeks friends in each other.