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Cindy Carol is the best of the three Gidgets, plus several Rome attractions RELEASED IN 1963 and directed by Paul Wendkos, “Gidget goes to Rome” chronicles events when Gidget (Cindy Carol) visits Rome with two girlfriends along with Moondoggie (James Darren) and two of his buds, but the group has to enlist the services of Judge’s eccentric aunt as a chaperone (Jessie Royce Landis). While Moondoggie becomes infatuated with a beautiful guide (Danielle De Metz) Gidget finds herself drawn to a suave writer, who’s much older (Cesare Danova). Gidget is 18 years-old and freshly graduated from high school in this film, which means the events take place about two years after the events in the original 1959 movie. Cindy Carol was 18 during filming and makes for a superior substitute for Sandra Dee than Deborah Walley did in 1961’s “Gidget goes Hawaiian.” Deborah was charming enough, but her hair & eyes didn’t fit, plus she tended to have weak & whiney facial expressions, which detracted from what Gidget was all about as established in the first film, i.e. a precocious, tomboyish teen who was more interested in surfing and insightful exchange than kissy-kissy, although she was interested in that too; it just wasn’t her first & only priority. Honestly, Carol is my favorite of the three actresses to play Gidget in the three theatrical movies, followed by Dee. Unlike Dee, Carol has womanly curves, which are on display from the get-go at the Malibu beach, as well as in a later scene at a Rome fashion show. Like Dee, she’s also all-around kinetic and winsome. The head-turning De Metz also scores well on the feminine front, not to mention the amusing Trudi Ames (Libby) and redhead Noreen Corcoran (Lucy). Another plus is how the story naturally takes advantage of numerous tourist attractions in Rome. As such, the viewer gets his/her own tour of “the eternal city.” While the theme lacks the potent subtexts of the original movie, it’s still worthy: Get out and see the world when you have the opportunity and get cultured from every angle. THE MOVIE RUNS 1 hour, 44 minutes and was shot in Southern Cal and Rome. WRITERS: Ruth Brooks Flippen, Katherine Albert & Dale Eunson. GRADE: B
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
This deceptively simple tale of a bored English couple travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.
A lady has her prim and proper life turned upside down after discovering her husband's affair.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
The pert Tina is sick of school and the muff in her Bavarian village. She wants to go with Tino - attendant of a visiting auto-scooter - who has to leave the place for dubious reasons. However he lets her down and leaves alone. Now Tina persuades fellow student Robby, who has a crush on her, to take her on a random trip with his motor-scooter. It seems only to be a matter of time until he realizes that she's just using him to follow her boyfriend - or will the shy Robby manage to win her heart on their chaotic journey?
The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.
A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.
The story of the day, from early morning to night, of Mary, a confused but dynamic woman who pursues her career as an actress, but is lost in the fragmentation of the Roman daily. A newspaper that revolves around what seems to be the only source of livelihood for the Eternal City: tourism. Let's see Maria run from the theaters to check-in at the tourists and from check-in to screening in a frenzy that will blur in comical and grueling situations.