Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Bay - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Americas Newsroom - (Feb 16th)
Gutfeld - (Feb 16th)
Hannity - (Feb 16th)
The Five - (Feb 16th)
The Ingraham Angle - (Feb 16th)
On Patrol- Live - (Feb 16th)
Solo Leveling - (Feb 16th)
All Elite Wrestling- Collision - (Feb 16th)
New York Homicide - (Feb 16th)
Michael McIntyres Big Show - (Feb 16th)
Prosecuting Evil with Kelly Siegler - (Feb 16th)
The 1 Club - (Feb 16th)
Yellowstone to Yosemite with Kevin Costner - (Feb 16th)
Religio Guignol. Fanatic (AKA: Die! Die! My Darling! is directed by Silvio Narizzano and adapted to screenplay by Richard Matheson from the novel "Nightmare" written by Anne Blaisdell. It stars Tallulah Bankhead, Stefanie Powers, Peter Vaughan, Yootha Joyce, Donald Sutherland and Maurice Kaufmann. Music is by Wilfred Josephs and cinematography by Arthur Ibbetson. Pat Carroll (Powers) decides to make a courtesy call on Mrs. Trefoile (Bankhead), the mother of the man she was courting seriously before his untimely death in an automobile accident. Her good intentions are not exactly welcomed with open arms, in fact Pat finds herself spun into a vortex of religious fanaticism and maternal madness. Psycho-Biddy sub-genre meets Hammer Film's one word titled series of Psycho inspired thrillers, Fanatic is a thoroughly bonkers movie. Not in that it doesn't make sense or it is complex supreme, it's that it operates in some campy feverish world, a place where Baby Jane rests in peace. Unfortunately it's not as good as the other films that make up this wickedly entertaining sub-genre of horror. That it's amazingly riveting is due to a bunch of cast performances that have to be seen to be believed. For even as the film meanders, where the makers repeatedly fall back on Pat Carroll's predicament with boorish time filling sequences, there's something enigmatically joyous about Bankhead and the crew making merry hell in this Hammeresque carnival of horrors. Legend has it that Bankhead was permanently sozzled throughout the production, it matters not, always a tough old dame who never suffered fools gladly, it's a bravura performance that's rich with the excessiveness that the story demands. Joyce and Vaughan would become legends of situation comedies in Britain, but here they get to play seriously stern and creepy lecher respectively, with the latter tasked with waving his shotgun around as an unsubtle phallic erection! Sutherland is woeful, but again it matters not, and it's actually not his fault, the character as written is a village idiot, a wet pants of a man purely in the story to fulfil the freak show quotient. Then there is the darling Powers, so young, sexy and vibrant, she escapes criticism because her performance is so measured it deflects from the preposterousness of it all. Lipstick is banned, sex is banned, the colour red is banned and Religio Guignol is the order of the day. It's a film hard to recommend with any sort of confidence, but it's just nutty enough to make it worth seeking out as a curio piece. 6/10
Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
Three elderly distinguished gentlemen are searching for some excitement in their boring borgoueis lives and gets in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons.
In the shadow of Castle Dracula, the Prince of Darkness is revived by blood trickling from the head-wound of an unconscious priest attempting exorcism. And once more fear and terror strikes Transylvania as the undead Prince of Darkness stalks the village of Keineneburg to ensnare victims and satisfy his evil thirst.
A woman is plagued by dreams of being buried alive while her adulterous husband, steeped in gambling debts, hatches a scheme to drive her mad and murder her to acquire her fortune.
A group of rich businessmen and military officers who are partying in an old castle are spared when a nuclear war ravages the earth. When they venture out into the nearest town to search for food and supplies, they find most of the residents blinded, and soon they discover the existence of a sinister group called The People Who Own The Dark.
Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity.
When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.
After Jonathan Harker attacks Dracula at his castle, the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
After a series of scientific experiments directed towards freeing the inner man and controlling human personalities, the kindly, generous Dr Henry Jekyll succeeds in freeing his own alter ego, Edward Hyde, a sadistic, evil creature whose pleasure is murder.