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**_Amusing late 60’s musical with dynamic performances by the cast_** An Irish father and daughter come to America and settle a couple of miles from Fort Knox in Kentucky. As Sharon (Petula Clark) falls for the community’s returning prodigal son (Don Francks), Finian (Fred Astaire) deals with a leprechaun (Tommy Steele) that desperately needs the pot of gold he “borrowed” while a mute dancing girl catches the leprechaun’s eye (Barbara Hancock). "Finian’s Rainbow" (1968) is a fun musical based on the 1947 Broadway play, helmed by Francis Ford Coppola after proving his mettle with “You’re a Big Boy Now.” Although overlong, it’s an energetic mix of Elvis’ “Follow that Dream,” Astaire musicals and “The Wizard of Oz.” The above-noted cast members are all highlights, along with Keenan Wynn as the racist Senator and Al Freeman Jr as the research botanist. Astaire was 68 during shooting while Petula was 34; Franks was 35 (but looked older) while dancer Barbara Hancock was only 17. Speaking of the latter, she shines as she frolics about doing flips and what have you. Someone criticized that the movie borrowed too many Hippie elements from the musical “Hair,” but this is totally bogus seeing as how the film started shooting (with a finished script) in late June, 1967, and "Hair" didn't debut off-Broadway until four months later. It didn’t make it to Broadway until 1968 while the movie version came out in 1979. No doubt the scriptwriters & Coppola naturally tried to make the 1947 musical more relevant to the mid-60s, but this had zero to do with ripping off "Hair." Personally, I didn't perceive much if any "Hair"-like elements and, honestly, it could easily fit the time-frame of the late ’40s. Wynn’s character was inspired by real-life Senator Theodore Bilbo of Mississippi, a Democrat, who died seven months after the musical debuted. Film studios wouldn’t touch it due to the satirical bits pertaining to racism (like the Senator amusingly morphing into a black man); that is, unless they could change the script, which the writers wouldn’t allow. By the mid-60s, however, the time was right. Coppola had nothing to do with the cutting off of Astaire's feet during his dancing scenes. After shooting had been done in 35mm, Warner Brothers chose to convert the movie to the wider 70mm and sell it as a “preserved-ticket roadshow attraction,” which was achieved by cropping off the tops and bottoms of the picture frame. Unfortunately, this included some shots of Astaire's footwork, which I didn't even notice while watching (in other words, it's a nothing burger). This was Astaire’s last musical. It runs 2 hours, 25 minutes, and was shot on studio sound-stages and the back lot at Warner Brothers Burbank Studios and Walt Disney's Golden Oak Ranch, as well as Potrero Valley, Thousand Oaks, although one sequence was shot in Napa Valley near Coppola's home, north of Oakland, as well another west of there in Bodega Bay. The opening includes scenic shots of iconic spots in the USA (with stand-ins for Astaire and Clark). GRADE: B
A waitress from Texas and a college student from Pennsylvania meet during spring break in Fort Lauderdale, Florida and come together through their shared love of singing.
Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest.
A four-member teen girl group named the Cheetah Girls go to a Manhattan High School for the Performing Arts and try to become the first freshmen to win the talent show in the school's history. During the talent show auditions, they meet a big-time producer named Jackal Johnson, who tries to make the group into superstars, but the girls run into many problems.
At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.
When the leading lady of a low-budget musical revue sprains her ankle, the assistant stage manager is forced to understudy and perform in her place.
Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
Disney's animated adaptation of Prokofiev's masterpiece, in which every character is represented musically by a different instrument. Young Peter decides to go hunting for the wolf that's been prowling around the village. Along the way, he is joined by his friends the bird, the duck and the cat. All the fun comes to end, however, when the wolf makes an appearance. Will Peter and his friends live to tell of their adventures?
Ballet star Petrov arranges to cross the Atlantic aboard the same ship as the dancer and musical star he's fallen for but barely knows. By the time the ocean liner reaches New York, a little white lie has churned through the rumour mill and turned into a hot gossip item—that the two celebrities are secretly married.
A Parisian tailor goes to a château to collect a bill, only to fall for an aloof young princess living there.
Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.