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**_Amusing late 60’s musical with dynamic performances by the cast_** An Irish father and daughter come to America and settle a couple of miles from Fort Knox in Kentucky. As Sharon (Petula Clark) falls for the community’s returning prodigal son (Don Francks), Finian (Fred Astaire) deals with a leprechaun (Tommy Steele) that desperately needs the pot of gold he “borrowed” while a mute dancing girl catches the leprechaun’s eye (Barbara Hancock). "Finian’s Rainbow" (1968) is a fun musical based on the 1947 Broadway play, helmed by Francis Ford Coppola after proving his mettle with “You’re a Big Boy Now.” Although overlong, it’s an energetic mix of Elvis’ “Follow that Dream,” Astaire musicals and “The Wizard of Oz.” The above-noted cast members are all highlights, along with Keenan Wynn as the racist Senator and Al Freeman Jr as the research botanist. Astaire was 68 during shooting while Petula was 34; Franks was 35 (but looked older) while dancer Barbara Hancock was only 17. Speaking of the latter, she shines as she frolics about doing flips and what have you. Someone criticized that the movie borrowed too many Hippie elements from the musical “Hair,” but this is totally bogus seeing as how the film started shooting (with a finished script) in late June, 1967, and "Hair" didn't debut off-Broadway until four months later. It didn’t make it to Broadway until 1968 while the movie version came out in 1979. No doubt the scriptwriters & Coppola naturally tried to make the 1947 musical more relevant to the mid-60s, but this had zero to do with ripping off "Hair." Personally, I didn't perceive much if any "Hair"-like elements and, honestly, it could easily fit the time-frame of the late ’40s. Wynn’s character was inspired by real-life Senator Theodore Bilbo of Mississippi, a Democrat, who died seven months after the musical debuted. Film studios wouldn’t touch it due to the satirical bits pertaining to racism (like the Senator amusingly morphing into a black man); that is, unless they could change the script, which the writers wouldn’t allow. By the mid-60s, however, the time was right. Coppola had nothing to do with the cutting off of Astaire's feet during his dancing scenes. After shooting had been done in 35mm, Warner Brothers chose to convert the movie to the wider 70mm and sell it as a “preserved-ticket roadshow attraction,” which was achieved by cropping off the tops and bottoms of the picture frame. Unfortunately, this included some shots of Astaire's footwork, which I didn't even notice while watching (in other words, it's a nothing burger). This was Astaire’s last musical. It runs 2 hours, 25 minutes, and was shot on studio sound-stages and the back lot at Warner Brothers Burbank Studios and Walt Disney's Golden Oak Ranch, as well as Potrero Valley, Thousand Oaks, although one sequence was shot in Napa Valley near Coppola's home, north of Oakland, as well another west of there in Bodega Bay. The opening includes scenic shots of iconic spots in the USA (with stand-ins for Astaire and Clark). GRADE: B
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.
William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.
On a layover in Hawaii two conniving Navy seamen borrow money to lay down bets that their ship will win the upcoming gunnery practice trophy, having found out that the current gunnery champ has just transferred aboard their ship. What they haven't learned, however, is that the marksman's enlistment is up before the contest is supposed to take place.