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A caption at the beginning of Loving Pablo informs us that “This film is inspired by real events. Some of the characters, names, and events have been fictionalized for dramatic purposes." What they don't tell us is that even the protagonists’ nationalities and languages have been changed. Colombians Pablo Escobar and Virginia Vallejo are played by Spanish actors speaking English – or, at the very least, trying to; Javier Bardem's English is atrocious and Penelope Cruz's is abominable, and their Colombian accents are just as bad, if not worse. To confuse things further, the characters occasionally say some random words or phrases in Spanish. Now, I don't think it's asking too much of the audience to pretend that the characters are speaking Spanish among themselves even as the actors deliver their lines in English; after all Hemingway did something similar in For Whom the Bell Tolls. But if the characters are supposed to be speaking in their native language, shouldn’t they sound like native speakers? Also, the dialogue should be consistent; i.e., all English all the time – because otherwise, what language are they supposed to be speaking when they say something in Spanish? This is a Spanish film, about Spanish-speaking characters, written, produced and directed by Spaniards; why they felt the need to tell their story in any other language than that of Cervantes, I haven’t the foggiest. Except, of course, for the obvious reason of appealing to the Anglo-Saxon market, but in this case why go to the trouble of getting Spanish – especially big names like Bardem and Cruz – and Colombians actors, only to force them to recite most of their dialogue in English? If nothing else, they could have at least had the decency not to have Cruz narrate the movie.
It is the job of the press to cover corporate crime, government plots and society. It is in this context that young female reporter on the beat Erika rolls up her sleeves and goes to work regarding what seems to be a government cover up. She is dealing with a government bureaucrat called Sugihara. It seems as if a clash is inevitable.
Investigating the murder of a resident of the suburbs Louis Touré, Maigret faces the indifference and cruelty of the people surrounding Louis in recent years. The diagnosis and the verdict — all guilty.
A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
When a kindly priest is murdered while waiting at a street corner in a quiet Connecticut town, the citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.
During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.
Phillip is a wealthy quadriplegic who needs a caretaker to help him with his day-to-day routine in his New York penthouse. He decides to hire Dell, a struggling parolee who's trying to reconnect with his ex and his young son. Despite coming from two different worlds, an unlikely friendship starts to blossom.
