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A reflective gem of an Oater. Wild Rovers is written and directed by Blake Edwards. It stars William Holden, Ryan O'Neal, Karl Malden, Joe Don Baker, Tom Skeritt and James Olsen. Music is scored by Jerry Goldsmith and the Panavision/Metrocolor cinematography is by Philip Lathrop. It's a Western that not only was butchered by cretinous execs at MGM, but has also proved to be divisive among the Western faithful - those that have seen the now thankfully available un-butchered version that is. Wild Rovers is one of those Oaters that is very much concerned with the changing of the West, where cowboys start to find themselves out of place with their era. Think Monte Walsh/Will Penny/Ride The High Country, with a bit of Wild Bunch/Butch & Sundance thrown in for good measure, and you get where Wild Rovers is at. Some critics were quick to accuse Edwards of merely copying Western films of past, but that is unfair. For this is a loving homage to those movies, also managing to be its own beast in the process. The tale is simply of two cowpokes, one aged and world weary, the other a young excitable buck, best friends who want more from life, so decide to rob the local bank and flee to Mexico to start afresh. Of course two men and destiny are quite often not the best of bed fellows... There's an elegiac beauty to Edwards' screenplay, with some of the scripted dialogue lyrical and poetic. And yet even though the harshness of the West, of the life of a cowboy, and the violence that is abound, is deftly pulsing within the story, there's plenty of dashes of humour as well. This is not a perpetually downbeat movie, slow moving? Absolutely, short on ripper action? Also correct. But as the themes of heroism and honour, of friendship and folly, are born out, and the many tender sequences draw you in, a pratfall is never far away. Technically it's high grade stuff. Holden is superb and he drags O'Neal along with him to avert what could have been a casting disaster. They make a fine and beguiling partnership and both men are turning in some of their best ever work here. The photography of the Arizona locations is outstanding, with Lathrop (Lonely Are the Brave) managing to add some ethereal beauty to the story. Goldsmith knocks out a triffic score, part blunderbuss Western excitement, part intimate pal to all and sundry. Skip any version that is under two hours, for that is an MGM crime. The MOD DVD comes complete with overture, intermission, entr'acte and exit music, while TCM shows the uncut version but minus the aforementioned roadshow segments. This is not a Western for those looking for a Magnificent Seven style actioner, for as fun as that great movie is, this is an altogether different and mature beast, and it deserves to be better known. 9/10
When attacked by two dogs, Joe Gilmore leaves them on the desert to die. Later one of the dogs saves John Blake from drowning. Men arrive claiming the dog is killing their chickens. They want to kill the dog but John convinces them the dog's fate should be determined by a trial.
Banker Mason is after the ranchers land so he can resell it to the railroad for a profit. He has the railroad agent killed and replaces him with his stooge who then offers even less than Mason. But Rocky eventually suspects Mason and when Bill Anderson informs him the agent is a fake, they head out after Mason
Singing cowboy Whip Wilson, the foreman on a cattle drive, quits his job to pursue five bank robbers who murdered his brother.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
When the Scooby gang visits a dude ranch, they discover that it and the nearby town have been haunted by a ghostly cowboy, Dapper Jack, who fires real fire from his fire irons. The mystery only deepens when it’s discovered that the ghost is also the long lost relative of Shaggy Rogers!
Tim Hart (Tim McCoy), a former Texas Ranger, comes out of retirement to avenge the death of Lightnin' Ed (Frank LaRue), his foster father, who had been sent to Rainbow's End, to investigate a series of train robberies. He senses that George Johnson (Walter McGrail) and his henchman, Speck (Bob Kortman), head the robbery gang, especially after Speck makes an ambush attempt on his life.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
A rancher comes home and finds that his son has been murdered and his daughter kidnapped by a bandit gang. He hires a professional tracker with a reputation for finding his quarry to help him find the gang and rescue his daughter.
