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An Egyptian version of Topaze, adapted from the famous Pagnol play.

A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

When Kadry El Meniawy becomes the minister of Youth and sports, the attractive woman Anita from Denmark comes to Egypt for cultural exchange between the two countries. As she stays at the minister's villa, his sons try to get close to her while he also falls for her.

The film is an adaptation of the novel Samar Habib by Ismåeel Walieddin. author of Female Homosexuality in the Middle East: Histories and Representations. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.

Omar decides to emigrate to America as his 30th birthday approaches, but first he wants to get revenge on the people who have gotten in his way.

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Mansoor, a 16 year-old teenager, living in a coastal "freej" (an Emirati neighborhood), has strong feelings for 16 year-old girl Kaltham. But culture and tradition, as well as family hardship, make it difficult for him to express his feelings. A conversation with his "know-it-all" friend convinces him that a gift is the best way to express love, and so, he begins to look for ways to save money for the gift without arousing the suspicion of his family and friends.

A meeting with a new inmate in the psychiatric hospital flips Dr. Yehia's life upside down. She prophecies that the death of his entire family is only three days away.

A Christian kid suddenly is forced to go to a public school after his father dies and because of a misunderstanding everyone thinks that he's a Muslim.

The bond between a disabled Muslim father and his son is tested when love is pitted against religion.

Directed by Wali Eddine Sameh.