Kill House

A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.

An old Laotian hermit discovers that the ghost of a road accident victim can transport him back in time fifty years to the moment of his mother's painful death.

Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.

During a recent remodel of The Yellow House crews discovered the remains of a little girl and a super 8 movie camera with the footage still inside. The footage has been released to the media by Summerland police with the hope that someone can solve this mystery. Police investigators confirm the film was shot by the missing couple. It is believed they were murdered by occult members. This is their footage.

The Realest Real is a humorous exploration of the fickle and instant world of the internet.

A widow’s many dalliances lead to extortion.

El Cholo, a Peruvian taxi driver, flees from justice in his country and comes to Venezuela in search for a better future. After running into a gang of con-men who leave him penniless, he meets a peculiar group of Latin Americans who work for a gangster known as The Russian as hitmen. El Cholo is quickly trapped in a world of blood and ambition that makes him realize the true cost of life and death.

The perfect English arcadia gives way to varying kinds of misfortune, disruption and violence. With more than a passing reference to the 'narrative' paintings by masters such as Bruegel, this single-take 9-minute short is about a lazy Sunday afternoon that goes horribly wrong.

An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.

A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.

A pre-teen boy is drawn into a cult that worships youth and murders anyone over 40. The boy's father teams up with a woman whose daughter is also in the cult to get their kids out... but the kids may not want to leave.