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**Scream was the first of its kind that redefined horror with new rules, a meta plot, and rebellious unexpected twists.** Scream followed all the rules and simultaneously broke them in a brilliant self-aware genre reinvention that leveraged every horror movie trope to set up and subvert every expectation. Scream is a love ballad to horror movie fans that intimately knows and zealously honors the legacy of terror-filled films that came before while creating something new, innovative, bold, and surprising. Scream’s dark humor and admiration of overused horror plot points resulted in one of the first meta films in history. Characters know they are living a real-life horror film and yet make dumb and predictable horror movie decisions tricking the viewers into a sort of safety before breaking all the rules and surprising with unexpected twists and turns. Scream was the first of its kind and welcomed a whole new horror sub-genre and a movie franchise that still has no end in sight over 25 years later.
**_Scream delivered a breath of fresh air into the slasher franchise and holds up rather well nearly 30 years later._** The plot of this film follows a cookie-cutter structure that models nearly all of the great slasher franchises of the late 1970s and early 1980s, but that is entirely the point. Scream is completely aware of the tropes of horror movies and utilizes them in a creative way by adding commentary and subtle comedy delivered by the characters throughout the film. It is not a full-fledged comedy by any means; there is no forced humor or jokes, but it is more of a dark comedy that pokes fun at itself in the background. The performances from our main cast were great. Neve Campbell delivers an excellent badass performance and is the perfect lead for the franchise. She is capable of fighting back in a brutal way and rivals Laurie Stroud from Halloween as my favorite final girl of all time. Courtney Cox was quite good as well; she had limited screen time but was able to really make the most of it. David Arquette was okay; he did not blow me away by any means, and he is quite replaceable in my opinion. Matthew Lillard was my favorite of the film; his performance was over the top and quite mentally deranged, which worked really well. Skeet Ulrich was also quite good, but took a backseat to Lillard in my opinion. The direction of this film was great. Wes Craven did an excellent job delivering unique shots and utilizing the camera angle and height quite well. I do think this movie needs a little more gore and violence for it being a slasher film. There was really only one kill that was quite memorable to me. For it being a homage and critique of the slasher genre, it was lacking quite a bit in the slash department. In addition, the runtime felt a bit bloated, and I think if this was cut down to maybe ten minutes, the viewing experience would have been better. Overall, I do think this movie is slightly overrated, but it is still a great film and worthy of its praise (for the most part). **Score:** _79%_ | **Verdict:** _Great_
A team of space marines known as the Rapid Response Tactical Squad, led by Sarge, is sent to a science facility on Mars after somebody reports a security breach. There, they learn that the alert came after a test subject, a mass murderer purposefully injected with alien DNA, broke free and began killing people. Dr. Grimm, who is related to team member Reaper, informs them all that the chromosome can mutate humans into monsters - and is highly infectious.
A psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim.
A drive-in favorite, this sci-fi classic follows teenagers Steve and his best girl, Jane, as they try to protect their hometown from a gelatinous alien life form that engulfs everything it touches. The first to discover the substance and live to tell about it, Steve and Jane witness the blob destroying an elderly man, then it growing to a terrifying size. But no one else has seen the goo, and policeman Dave refuses to believe the kids without proof.
Doormat Wesley Gibson is an office worker whose life is going nowhere. He meets a sexy woman named Fox and discovers that his recently murdered father - whom Wesley never knew - belonged to the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan, the Fraternity's leader, teach Wesley, through intense training, to tap into dormant powers and hone his innate killing skills. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.
After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.
Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.
An awkward, telekinetic teenage girl's lonely life is dominated by relentless bullying at school and an oppressive religious fanatic mother at home. When her tormentors pull a humiliating prank at the senior prom, she unleashes a horrifying chaos on everyone, leaving nothing but destruction in her wake.
Seasoned adventurer and treasure hunter Dirk Pitt, a former Navy SEAL, sets out for the African desert with his wisecracking buddy Al in search of a confederate ironclad battleship rumored to have vanished long ago, the main draw being the treasure supposedly hidden within the lost vessel. When the daring duo come across Dr. Eva Rojas, a beautiful scientist who is juggling an escape from a warlord and a mission to stop the spread of a powerful plague, their desert expedition begins to heat up.
Four sons of well-known New York mobsters must retrieve a bag of cash from a small Montana town ruled by a corrupt sheriff.
Years after the Racoon City catastrophe, survivors travel across the Nevada desert, hoping to make it to Alaska. Alice joins the caravan and their fight against hordes of zombies and the evil Umbrella Corp.
Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.