War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
There are a couple of really quite poignant performances here from "Jake" (Steven Keats) and his wife "Gitl" (Carol Kane) as together with their young son they try to make a new life in New York after fleeing from Russia. He had arrived some time earlier and had already become exposed to some of the more libertarian aspects of American society by the time his family arrived and though he manages to adopt the ways of their new society more readily, she does not. Indeed, his enthusiasm to fit in, and to have his son - now called "Joey" to do likewise begins to pit him against his strongly Jewish community and against a wife with whom he no longer connects. It's essentially a film about integration and of profound clashes of culture. The old having to give way to the new. Sometimes subtly, sometimes more brutally - and with "Gitl" being a woman, this struggle was only exacerbated by her social position as someone largely dependant on his husband for support. As this position becomes increasingly untenable for all, the story becomes alive with a tension that's born out of something nobody had had much of previously - opportunity. The drama is well delivered by both Keats and Kane illustrating just how easily the glue of something strong can dissolve when something intangibly tantalising comes along. In this case, "Mamie" (Dorrie Kavanaugh) epitomises the lively and bright alternative to the dreariness of his daily life. It's an observation, really - an episode in their lives that at times hits home but at others is akin to a Chaplin film mixed with a few episodes of "Upstairs Downstairs" - only with out the riches or glamour. It's hard to see it working as a film for the cinema, but it is a characterful study worth a watch.
An elderly widow (Joan Benac) starts to wonder what happened to a would-be lover from her past who appeared with her in a live televised drama in the 1950s. After discovering the show in CBC’s archive, her granddaughter Audrey (Deragh Campbell) attempts to try and track the man down.
The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).
A docudrama about four weeks in the life of famous Czech composer Antonin Dvorak. The drama - filled with many of Dvorak's compositions - begins when the composer suddenly decides to cut a concert in London and return home. While on the train, flashbacks reveal his relationship to his wife Anna and her sister Josefina. Both women gave him inspiration, yet Dvorak is clearly troubled in some way as musical excerpts come and go in his creative mind.
A narration of episodes from the life of the famous Czech poet, Karel Hynek Mácha. Throughout the film, we witness a deep analysis of Mácha's complex character (his relation to another Czech writer of the time Josef Kajetán Tyl, his unbearable jealousy, his solitude, his attitude to nature,etc.) on the well-depicted historical background with all its particularities.
A love-themed anthology adapted from the music album of the same title by Dewi "Dee" Lestari.
The life of irreverent poet Gregório de Mattos, who lived in Bahia, Brazil, in the 17th century. Nicknamed Mouth of Hell, he used his transgressive poetry against the élite of the time.
A high class lady from Brazil falls into a fake kidnapping scam when she answers a stranger’s phone call. Believing that one of her daughters has been kidnapped, she is guided by a terrifying voice for 12 hours through the cities of Sao Paulo and Rio de Janeiro.
Between divorce, bad relationships and coming out as gay, a group of affluent friends realize that none of their lives are as easy as they seem.
On the night of New Year's Eve, a small group penetrates into the room of an old hotel in ruins. Carmine, the oldest of the group, poses a challenge to one of the men, Furio: he has 4 months to restore the hotel and inaugurate it with great pomp. Aware of the difficulties but anxious to prove the point, Furio accepts encouraged by his wife Margo who believes that this assignment will allow the couple to rediscover the lost momentum.
Perfect Life, the second feature by Emily Tang (Tang Xiaobai), at first revolves around Li Yueying, a young woman in the cold north-east of China. In a world where no one is waiting for an untrained, inexperienced woman, she knows that in order to fulfil her dreams she will have to resort to her own stubbornness and selfishness. Her father deserted her mother and the money saved by the family is destined for her younger brother's studies. When she stops working for a shop making artificial limbs in order to take a job as a chambermaid, she attracts the attention of a mysterious criminal, Mongol. Then in the editing, the documentary story of Jenny from Hong Kong starts to emerge. She thought she had her life perfectly worked out, but when her marriage breaks down, she also finds herself in financial problems and has to fight for the custody of her children.