The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
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The Gardener the Buddhist and the Spy 2025 - Movies (Jan 10th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 9th)
Sons of Ecstasy 2025 - Movies (Jan 9th)
Normans Rare Guitars Documentary 2024 - Movies (Jan 9th)
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George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
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Love Triangle - (Mar 25th)
George Clarkes Amazing Spaces - (Mar 25th)
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Historys Greatest Mysteries - (Mar 25th)
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No Mans Land - (Mar 25th)
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**_Another Corman-produced knockoff of “Alien,” with softcore_** In the distant future, a troubleshooting flying ace (Jesse Vint) is redirected to a remote desert planet in order to help a bio-engineering team deal with a mutating organism. “Forbidden World” (1982) is the second “Alien” knockoff produced by Roger Corman and even uses some of the sets of the previous one from the year prior, “Galaxy of Terror” (as well as some space F/X from “Battle Beyond the Stars”). Other than that, the films aren’t connected. While my title blurb is condescending, Ridley Scott’s iconic movie itself ripped-off every main aspect of the first half of “Planet of the Vampires” from 1965, aka “Terror in Space.” So it wasn't exactly original, although it was well-done and superior. Like “Galaxy of Terror,” there’s a comic book flair to the proceedings that “Alien” lacked (because of its blockbuster budget). Still, if you like the grim adult-oriented science fiction of that film, you should appreciate this one (and “Galaxy”). The problem is that the monster in the last act looks cheesy in the manner of something borrowed from “Little Shop of Horrors,” although up to that point the various mutations are effective, particularly for a Corman-budgeted flick. “Alien” featured statuesque but too-thin Sigourney Weaver in her underwear in the last act and so Corman upped the ante with the two females here, shown pretty much fully nude in some scenes, with 1-2 sex-oriented sequences. The joke is that the tagline was “In space no one can hear you get naked.” Obviously, you should stay away if that’s disagreeable to you. The aforementioned two females happen to be Dawn Dunlap (Tracy), who was only 17 during shooting in October, 1981, while blonde June Chadwick (Barbara) was a month shy of 30. The nudity can be criticized as exploitive, of course, but there’s another way of looking at it. It drives home how people stuck on a remote station in the galaxy would still function like everyday people on Earth: sleeping in light clothing, walking around in their underwear or a robe, bathing, using a sauna, having sex and so forth. In other word, people are people, even 100-200 years in the future in outer space with the great technology thereof. The movie runs 1 hour, 17 minutes, and was shot at Corman's studio in Venice, California, his “renowned lumberyard facility,” as well as Vasquez Rocks in Agua Dulce for the outside scenes. GRADE: B-/C+
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
The inhabitants of the British Isles have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the Isles, convinced the danger has passed. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.
When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak.
As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies. She then joins a small band of elite soldiers, who are enlisted to rescue the missing daughter of the creator of the mutating T-virus. Once lack of luck and resources happen, they begin to wage an exhilarating battle to survive and escape before the Umbrella Corporation erases its experiment from the face of the earth.
An actor who has lost his job due to the coronavirus buys capsule monsters online and begins to raise them.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
The Turtles and the Shredder battle once again, this time for the last cannister of the ooze that created the Turtles, which Shredder wants to create an army of new mutants.
A quartet of humanoid turtles, trained by their mentor in ninjitsu, must learn to work together to face the menace of Shredder and the Foot Clan.
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.