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ODessa 2025 - ()
Hamlet 2024 - ()
The Twister Caught in the Storm 2025 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Wolves Against the World 2024 - ()
Bill Squire Were Getting Famous 2024 - ()
Andrew Orvedahl Doom Math 2024 - ()
Final Heist 2024 - ()
National Anthem 2024 - ()
Finding Me 2025 - ()
Rich Flu 2024 - ()
Across the Line 2025 - ()
Jersey Bred 2024 - ()
I Love You Forever 2024 - ()
_**Tedious arty Western; thoroughly UNentertaining**_ Released in 1976 and directed by Robert Altman, "Buffalo Bill and the Indians, or Sitting Bull's History Lesson" stars Paul Newman as Buffalo Bill Cody, the star of his famous "Wild West Show" in the shadow of the Rockies in 1885. After Chief Sitting Bull of Little Big Horn fame (Frank Kaquitts) arrives with his Number One (Will Sampson), Cody is irked that the chief isn't a slaughtering savage, but is silently heroic and honorable. Cody fires him, but relents when star attraction Annie Oakley (Geraldine Chaplin) sympathizes with Sitting Bull. Then President Grover Cleveland (Pat McCormick ) visits with his entourage. This is revisionist Western, a "message movie" that Altman uses to criticize popular ideas or myths about the Old West. The titular hero is merely a showbiz creation who can no longer differentiate the truth from his made-up image. He's a blustering fool who asserts to be one with the Wild West, but lives in extravagance, play-acting in his Western circus. His hair is fake, he can no longer shoot straight or track a Native; and all his theatrical duels with owlhoots and Indians are fixed in his favor. The theme is interesting and the ensemble cast is great (which also includes Burt Lancaster, Kevin McCarthy, Harvey Keitel, John Considine, Noelle Rogers, Shelley Duvall and Denver Pyle, amongst other notables). It should've worked, but it didn't. It's somewhat akin to "Little Big Man" (1970) but less of a comedy and nowhere near as entertaining (not that I'm a big fan of that movie or anything, but at least it has its entertaining moments). While the Wild West circus elicits some entertaining moments (e.g. rodeo stunts) they can't save the flick from being an arty, pretentious, tiresome bomb. Moreover, the principle Native Americans are ironically so one-dimensional and wooden I thought maybe Altman was making a snide aside about "wooden Indians." Lastly, the ideology is blatantly one-sided against the New Americans, depicting Not-as-New Americans as super-noble while conveniently ignoring their documented dark side, e.g. the heinous torture tactics most tribes inflicted on their captive enemies, including other tribes-people, so as to hinder their condition in the afterlife (the "happy hunting grounds" or whatever). For instance, they'd gouge out enemies' eyes or mutilate their genitals so they (supposedly) wouldn't be able to see or copulate in the after-world. Yup, that's just so virtuous (sarcasm). Actually, I could handle this lopsided perspective if the movie itself were entertaining, but that's hardly the case. The film runs 123 minutes and was shot in Alberta, Canada, mostly at Stoney Indian Reserve. GRADE: D
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Long before he even met Shrek, the notorious fighter, lover and outlaw Puss in Boots becomes a hero when he sets off on an adventure with the tough and street smart Kitty Softpaws and the mastermind Humpty Dumpty to save his town. This is the true story of The Cat, The Myth, The Legend... The Boots.
One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
The charismatic Sir Lionel Frost considers himself to be the world's foremost investigator of myths and monsters. Trouble is, none of his small-minded, high-society peers seems to recognize this. Hoping to finally gain acceptance from these fellow adventurers, Sir Lionel travels to the Pacific Northwest to prove the existence of a legendary creature known as the missing link.
Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.
A widowed father has to deal with two complex issues: while he is searching for "Miss Right," his son, who is in his 20s and gay, is searching for "Mr. Right."
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.
Chon Wang, a clumsy imperial guard, trails Princess Pei Pei when she's kidnapped from the Forbidden City and transported to America. Wang follows her captors to Nevada, where he teams up with an unlikely partner, outcast outlaw Roy O'Bannon, and tries to spring the princess from her imprisonment.