Sonic the Hedgehog 3 2024 - Movies (Jan 3rd)
A Little Womens Christmas 2024 - Movies (Jan 3rd)
A Clockwork Shining Kubricks Odyssey 3 2024 - Movies (Jan 3rd)
Cheers Portland The Strip Club Capital of America 2024 - Movies (Jan 3rd)
Wallace and Gromit Vengeance Most Fowl 2024 - Movies (Jan 3rd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Luther Never Too Much 2024 - Movies (Jan 3rd)
He Aint Heavy 2024 - Movies (Jan 3rd)
Family Gbese 2024 - Movies (Jan 2nd)
Fittest on Earth Final Showdown in Madtown 2024 - Movies (Jan 2nd)
The Mountain Within Me 2024 - Movies (Jan 2nd)
The Art of the Calendar 2024 - Movies (Jan 2nd)
Chasing Amazing Winter Waves 2024 - Movies (Jan 2nd)
No Hamburg No Beatles 2024 - Movies (Jan 2nd)
Kevin James Doyle Diary of a Bald Kid 2025 - Movies (Jan 1st)
Young Werther 2024 - Movies (Jan 1st)
A Flash of Beauty Paranormal Bigfoot 2024 - Movies (Jan 1st)
Beyond the Legend Bigfoot Gone Wild 2024 - Movies (Jan 1st)
Dream Team 2024 - Movies (Jan 1st)
The Traitors - (Jan 3rd)
8 Out of 10 Cats Does Countdown - (Jan 3rd)
Richard Osmans House of Games - (Jan 3rd)
Letters and Numbers - (Jan 3rd)
The Last American Vagabond - (Jan 3rd)
Zero Waste Life - (Jan 3rd)
QI - (Jan 3rd)
Very Important People - (Jan 3rd)
Chris Jansing Reports - (Jan 3rd)
Andrea Mitchell Reports - (Jan 3rd)
When the Phone Rings - (Jan 3rd)
Lipowo. Conspiracy of Silence - (Jan 3rd)
The 11th Hour with Stephanie Ruhle - (Jan 3rd)
The Virgin Queen - (Jan 3rd)
The First 48 - (Jan 3rd)
Fugitive Hunters Mexico - (Jan 3rd)
Swamp People - (Jan 3rd)
Love Is Blind- Germany - (Jan 3rd)
Swamp People- Serpent Invasion - (Jan 3rd)
Gangland Chronicles - (Oct 1st)
This incredible movie took me by surprise in the fall of 1980. The Stunt Man replaced The Empire Strikes Back at the theater where I worked. I was prepared to hate this film. To my complete surprise, it became my favorite film from the 1980s. If you haven't seen it, strap yourself in and go for the ride. It's worth every second. Peter O'Toole has Never been better as Cross, the demented and brilliant director. Is he out to kill Cameron just to get a good scene or two from him? Or is he actually a caring person who would never hurt a fly? You won't know until the film is just about over. Basically, Cameron is on the run from the Law. He stumbles into a film set and (perhaps) causes the death of the film's stunt man. Ely Cross, the director, offers Cameron a place to hide from the Law if he'll replace the stunt man until the film is done shooting. Cameron agrees. From that point, nothing is what it seems. The film blends the real with the surreal world of filmmaking that will have you smiling throughout. High Points are the Soundtrack and Barbara Hershey. Barbara has never been more beautiful here, and she gives the performance of a lifetime. Location filming was at the Del Coronado Hotel in San Diego. The same hotel was used for Some Like It Hot.
I'd like to embellish the previous review... CaptNemo did a good job summing up the movie, but there are a few other interesting things that can be said about it. My short summary is that this is probably the best "meta" movie, or movie about making movies you'll find. I discovered the film on cable TV, and immediately fell in love with it. A short time later I came across the Brodeur novel in a used bookstore, and bought and read it immediately. The novel is quite dark, and has a number of plot issues. In several ways the movie is more fun and better than the book. But it's a *quite* different story. One area I disagree with CaptNemo is where he said that you find out everything at the end of the movie... I don't find the end of the movie completely illuminating -- some things are fairly clear, but there is much that's still open to interpretation... which is one of the things that makes it so fun to watch again! I only owned the laser disc edition of this movie for many years. I only recently acquired the DVD to have it in a more modern format to show to friends. And so then I discovered the commentary, and only as a result of that commentary I found out about the documentary film about the movie, "The Sinister Saga of Making The Stunt Man." If you're a fan of this movie, the documentary is a must-have! Regarding the movie-within-a-movie, it's difficult to say if it would have been a good movie or not. Is Eli Cross a good director? We don't really know. We're only offered tantalizing glimpses of his work. It would have been nice if the DVD special features included the screenplay of the movie-within-a-movie, or maybe even stitched some of the scenes together, like was done for the DVD of the movie-within-the-movie in Joe Dante's "Matinee."
A stuntman who dabbles as a petty thief for corrupt policemen decides to quit. His bosses do not let him go but, instead, he is tortured. His consistent brushes with the law earn him a prize on his head and attention from a daily.
Shy loser Diego wakes up after an accident and has been transformed into Tony T. a smooth-talking no-holds-barred stuntman. Suffering from a case of Frontal Syndrome he's the perfect case-study for young neurologist Jaana. Everyone hopes that Diego will soon recover, except for Diego himself.
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.
A showman introduces a small coastal town to a unique movie experience and capitalizes on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
A young woman investigates the death of her mother, who drowned when her daughter was still a baby. The question is: was it murder, suicide or merely an accident?
William Thacker is a London bookstore owner whose humdrum existence is thrown into romantic turmoil when famous American actress Anna Scott appears in his shop. A chance encounter over spilled orange juice leads to a kiss that blossoms into a full-blown affair. As the average bloke and glamorous movie star draw closer and closer together, they struggle to reconcile their radically different lifestyles in the name of love.
Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
A relationship develops between seasoned actor Stefano and his young, ambitious co-star Laura when they are cast as the two leads in a film. Stefano must deal with his growing jealousy when Laura's career begins to take off.