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_Rescue Rangers_ throws all of these ideas and characters at a wall to see what sticks and before they can process what works and what doesn’t they’re already throwing another pile at the wall; it’s too much to digest and too much of a good thing all at once. _Chip ‘n Dale: Rescue Rangers_ is a film that distracts itself from telling its own story. It has some fun moments, but its absent-minded storytelling is too overwhelming to ignore or fully enjoy. **Full review:** hubpages.com/entertainment/Chip-n-Dale-Rescue-Rangers-2022-Review-A-Badly-Drawn-Poorly-Written-Mostly-Animated-Reboot
A rare squalor turned out, of course. The characters are like pictures of a bad artist, flat and empty. Facial expressions and forms are alien. There is no aesthetic admiration for this attempt at expression in 3d. No grace and beauty. There is no depth and love, an adequate plot. Inappropriate flat humor. A fierce mockery of the innermost. A ridiculous untalented division without a sense of beauty, reminiscent of the very pirated products from the movie. They piled everything up and made an unintelligible dump. A bunch of some defective characters, like that Sonic who talks about the existence of the original Sonic, by the way... They ridiculed the key points, just for fun, quite unreasonably, only comedy is completely out of place here, as are the creators-comedians. And all this, of course, under the sauce "We love Rescuers". Well, well... We couldn't do it, in general, for real. In a Disney way. Only that picture was remembered, which hung on the wall of the actor Roquefort. And how wonderful it would be if the whole movie was of this style and with an adequate plot. Fortunately, this is not an original reality that could continue the canon. To understand this substitution, which tried to continue the series, it is enough to see in the film an episode with the participation of Akiva Shaffer, who allegedly filmed the original series in 1990, damn it. That's the only thing I thank him for.
When Chip 'N Dale was first conceptualized, the writers needed to make a decision: would this movie be primarily made for those who had watched Rescue Rangers as children, or would it attempt to reboot the duo for a new generation? Sadly, it would seem the writers chose to do both. Chip 'N Dale is a movie packed to the gills with decades of animation jokes and easter eggs, yet ultimately it cements itself as a children's movies, utilizing the same cringeworthy cliches that every other children's movie utilizes. This is only further exasperated by KiKi Layne's terrible performance as Ellie, so much so that I believe the total removal of her character would vastly improve the film. Going into this movie I thought it had the makings of this generation's _Who Framed Roger Rabbit_. After seeing it, I now know that this movie will be relegated to the children's section and quickly forgotten.
The script feels like it needed a bit longer in the oven, riddled with half-developed ideas. Neat premises, sloppy execution. Never quite nails down its dramatic tension as well as I wished. Nevertheless, very ambitious with its scale in variation in animation, and most of it works well! J.K. Simmons Gumby alone made this worth watching for me.
**Unexpected but also unnecessary.** A lot is going on with this movie! It's crazy, fast-paced, and just weird. As a movie for kids, it missed the target. As a movie for adults, some parts made me laugh. I definitely can't say it was terrible, but… it was just strange. Felt like a cartoon L.A. Confidential a little bit, and I'm not sure that's a good thing. I did appreciate how unique and unexpected everything was in this movie, but ultimately it lost me with its subject matter and jokes being way too bizarre for a kids' movie.
**Unexpected but also unnecessary.** A lot is going on with this movie! It's crazy, fast-paced, and just weird. As a movie for kids, it missed the target. As a movie for adults, some parts made me laugh. I definitely can't say it was terrible, but… it was just strange. Felt like a cartoon L.A. Confidential a little bit, and I'm not sure that's a good thing. I did appreciate how unique and unexpected everything was in this movie, but ultimately it lost me with its subject matter and jokes being way too bizarre for a kids' movie.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
God contacts Junior Congressman Evan Baxter and tells him to build an ark in preparation for a great flood.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
Pooch and his partner are having a Christmas love-in reading The Night Before Christmas, but not if a dastardly old junkyard wolf has anything to say about it! Stealing Santa's coat and beard, the wolf sneaks in through the chimney. How will Pooch get out of this one?
