Echoes 'Cross the Tracks

This is based on a true story. Solomon Northrop is a black man in the mid 19th century before slavery was abolished. He's a born free man who works as a carpenter and is also a part time musician. One day he is approached by some men who want him to play for them. However, that is not their intention; they have kidnapped him and sold him into slavery. Now he has to endure the hardships that he has been spared because of his status as a free man. And his family who don't know what happened to him is searching for him but where do they go? And Solomon also wishes to let them know where he is so that they could get him but unfortunately no one believes his story or is willing to help him.

Blind blues musician Paul Pena is perhaps best known for his song "Jet Airliner". In 1993, Pena heard Tuvan throat singing over his shortwave radio and subsequently taught himself how to reproduce these extraordinary sounds. This documentary follows him to Tuva, where he takes part in a throat singing competition. Languages featured in the film include English, Russian and Tuvan.

Stevie Ray Vaughan and Double Trouble burn it up at the El Mocambo, a small club in Toronto, performing a short set list. During the concert Vaughan pulls off some Hendrix style guitar heroics. He does whammy bar tricks, bangs it on he floor, and makes noises with it. He also plays it behind his back.

In 2013, three women emerged from a flat in Brixton. They had been held there for decades by Aravindan Balakrishnan, a revolutionary Maoist who controlled the women with brainwashing techniques and tales of a sinister, world-controlling machine he called 'Jackie'.

1. Got Me Under Pressure 2. Waitin' For The Bus 3. Jesus Just Left Chicago 4. I'm Bad, I'm Nationwide 5. Pin Cushion 6. Cheap Sunglasses 7. Pearl Necklace 8. Heard It On The X 9. Just Got Paid 10. Rough Boy 11. Blue Jean Blues 12. Gimme All Your Lovin' 13. Sharp Dressed Man 14. Legs 15. Tube Snake Boogie 16. La Grange 17. Tush That Little Ol’ Band from Texas comes up big in ZZ Top: Live from Texas, a concert recorded on November 1st, 2007 at the Nokia Theatre in Grand Prairie, Texas. The hirsute trio (guitarist Billy Gibbons, bass player Dusty Hill, drummer Frank Beard) has been at it for nearly four decades now.

Former First Lady Michelle Obama's story has just begun. The Obamas have remained quite busy with their new life of activism which includes their issue-oriented production company, Higher Ground, which won an Oscar for Best Documentary in 2020. Mrs. Obama's autobiography, Becoming, has become the best-selling memoir of all time and even won a Grammy following the publication of her book. Get lost in the incredible journey of this modern-day First Lady's story in the making...

In the Bernese Alps, the Agassizhorn peak memorialises Louis Agassiz – a controversial 19th-century scientist, who not only named the mountain after himself, but who claimed he had discovered the Ice Age and went on to become one of the century's most virulent, most influential racists.

Soul singer Dana Masters traces the story of Ottilie Patterson, who for a dazzling few years in the late 1950s and early 1960s was a pioneer of British jazz and blues music and inspiration to later groups such as The Rolling Stones and The Pretty Things.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

Actor Robert Culp narrates this special examining the use of boycotts by African-Americans as a way of obtaining jobs.