La estrategia del mero

An intimate peek into the relationship of two black gay men. On the morning of his 30th birthday, Amari struggles to make decisions on what’s next and defining his purpose. Q is on track become the youngest partner at his law firm and plans an elaborate soiree to celebrate this milestone of his long-time partner. The day takes a rattling turn when an explosion cuts off utilities across New York City and forces the city into a mandatory lockdown. Their relationship is tested as the couple grapples with memories that could shatter their plans altogether.

The Best of Boys in Love is a wildly diverse collection of films that mixes styles, settings, and stories ranging from "elegant gay romance" (Frontiers), to a musical send-up of Hollywood, to an "exquisite period piece" (Village Voice) set in New Zealand. The DVD features seven audience favorites selected from our collection of award-winning gay short films.

A socially awkward, environmentally-conscious teenager named AJ is dragged to a coastal holiday park by her painfully 'normal' family, where she becomes unexpectedly captivated by a chlorine smelling, sun-loving lifeguard named Isla.

After the sudden death of one of them a group of friends grieves trough sexual encounters.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...