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One boy goes with Quantrill, the other goes with Sherman. Bandolero! is directed by Andrew V. McLaglen and written by Stanley Hough and James Lee Barrett. It stars James Stewart, Dean Martin, Raquel Welch and George Kennedy. A Panavision/De Luxe color production, music is by Jerry Goldsmith and cinematography by William H. Clothier. Initially set in Texas, 1867, the pic in short plot form entails the leading men, ruffian robbers with a glint in their eye, and leading lady, on a road trip of some discomfort. They are being pursued by the law led by George Kennedy, whilst having to deal with internal fighting and a date with blood thirsty Mexican bandits. Bubbling away in the mix is the tale of two brothers (Stewart and Martin) who went different ways during the Civil War, the conversations of such between the two most potent and worth sampling. Add in Welch for dressage and sexual tension, with Kennedy's stoic lawman in pursuit of both her and the outlaws, and it's got firecrackers simmering in the narrative. Hanging and the threat of sexual assault further stokes the fires, all while we are asked to take seriously guys with names like July Johnson and Roscoe Bookbinder! McLaglen directs with competent hands befitting the occasion, in other words let your star named cast operate without mugging for the camera - with the visual ticks of Stewart and Kennedy a joy as opposed to doing down the material. Goldsmith's score is a bit too modern sounding for the time period of story setting, but as expected it's a blood stirrer. While locales are most pleasing as the great Clothier cements his status as a Western genre legend. Ultimately with the cast assembled it really should be a far better film than what it is, but if nothing else, the odd blend of humour and serious themes makes for an intriguing viewing. Whilst as Kennedy slots in to steal the film from his more illustriously named co-stars, it's enough to just enjoy a cast and director comfortably at work. 7/10
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
A homage and parody of 1950s and 1960s Thai romantic melodramas and action films. Dum, the son of a peasant falls in love with Rumpoey, the daughter of a wealthy and respected family. The star-crossed lovers are torn apart for years, but their forbidden love survives. When tragedy strikes, Dum unleashes his rage and becomes the gun-slinging outlaw the "Black Tiger" who will stop at nothing to seek his revenge.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Residents of a small frontier town take up arms when vigilantes try to block a railroad right-of-way.
When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.
Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.