A Quiet Place Day One 2024 - Movies (Oct 2nd)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Into the Deep 2025 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Gladiator II 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Lidias Kitchen - (Feb 24th)
Snapped - (Feb 24th)
Tribunal Justice - (Feb 24th)
When Calls the Heart - (Feb 24th)
Grosse Pointe Garden Society - (Feb 24th)
Fatal Family Feuds - (Feb 24th)
Scars of Beauty - (Feb 24th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
I could make the joke about this film's title but I don't want to beat a dead horse. I had wanted to see this film since it was released in cinemas, but not because I thought it would be good, rather because I live for garbage like this. I saw the trailer and saw just filth, just absolute cinema excrement. Well, what did I receive? I received a rather played out the first half with one of the slowest pacings I've seen this year. I'm a fan of films taking their time and carefully detailing everything, but those are films with a sense of purpose. This is not one of those films. It's a Redbox on a bad movie night, or a film your girlfriend wants you to watch with her. Neither situations are true for me, but I'm sure it's happened to someone before. It's a slow first half that just has this lackluster eruption becoming a parody of itself. The last fifteen minutes of this film become a ridiculous set of scenes of 2017. If you're someone who has seen the trailer then you know what is going to happen. It practically lays out its entire structure hoping maybe you'll see it one late night. I saw it and got about what I expected. Rosario Dawson plays as this blogger journalist type who has a beautiful family, the catch is that it was once Katherin Hegel's and she's not over the divorce. She begins to find ways to slowly destroy Dawson's life hoping to win the love of her husband. You see that sound like it could be ok, but the writing and execution of the plot is just so convoluted and unbelievable that it just becomes a parody. I mean it isn't a slow build up at all, we are just shown that Hegel is crazy playing all of its cards in the first fifteen minutes. It's just screaming to you saying "You know what you got yourself into, enjoy the last hour and fifteen minutes,". 3/10
If you have ever even so much as heard of Lifetime existing, then you know every single beat of _Unforgettable_ from beginning to end. What it does, it does quite well (and further proves the point I made about Katherine Heigl finding her place in sociopathy when I wrote my _Home Sweet Hell_ review), but it doesn't have a single new thing on offer. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**UNfortunately-FORGETTABLE film!** Directional debut for a producer. I think she did well. But the film had a major issue. The film was decent with nice performances and production quality. Though it came at a wrong era. Came in too late, at least two decades late. If you had watched a decent number of films in your life, probably you have already seen plenty of similar film. And most of those would have come from the late last century. As what the title says, it was totally opposite of meaning that unfortunately a forgettable film. All the above, they have kept open ending, hinting a sequel could come. I already feel that is a bad idea! Since it was very familiar, easy to predict the scenes and dialogues. Particularly the climax was a let down. I expected something better than usual. The clues, twist, all were ordinary. Though the actors were decent. That does not mean it is worth watching for them. Definitely won't work, unless you are a big fan of anyone of them. Something for sure that it looks like they ran out of the ideas. Why would someone want to make the same old film with a new cast. Why not call it a remake or a reboot! Anyway, don't think it is worth a watch, unless you haven't seen many films in your life or born yesterday. _4/10_
Nancy Taylor, a divorced mother of three, feels especially lonely during the holidays. All she wants for Christmas is to meet a nice man - even just a nice compliment would make her day. Sensing her sadness, Nancy's little girl, Emily, has a plan to make her mom happy again. She shares her Mommy's wish with shopping mall Santa, Benjamin Armstrong. And Benjamin, who is also a struggling songwriter, knows exactly the right words to say.
A guitar playing car thief meets an autistic savant piano player, and together they transform a group of reluctant halfway house convicts into The Killer Diller Blues Band.
Dumped on her grandparents for the summer by her indifferent mother, acerbic and self-destructive teenager Greta disrupts the elderly couple's staid life on the Jersey Shore. Eventually, a romance helps Greta face down her demons.
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.
Pig and Runt born on the same day, in the same hospital, moments apart. Twins, all but by bloodline. Inseparable from birth, they are almost telepathic. They are one, needing no one else, inhabiting a delicate, insular and dangerous world where they make their own rules and have their own language. But days before their 17th birthday the balance of their world begins to shift. Pig's sexual awakening and jealousy begins to threaten their private universe.
For no apparent reason, a mute young woman assaults a youth who delivers water on his bicycle, injuring him and ruining his bike. Surprisingly, she asks him to feed her fish while she is in custody. Her tiny apartment, he discovers, is a shrine to his favorite escape, the movies.
Jack McKee is a doctor with it all: he's successful, he's rich, and he has no problems.... until he is diagnosed with throat cancer. Now that he has seen medicine, hospitals, and doctors from a patient's perspective, he realises that there is more to being a doctor than surgery and prescriptions.
A young female breakdancer, Angel, moves to Los Angeles after an attack by an ex-boyfriend nearly ends her dance career forever. B-Girl follows Angel through recovery and acceptance of a new life as she busts a move into the male-centric world of underground hip hop.
A Japanese tourist, Tokio, meets a 15-year-old Hong Kong girl and her grandmother left behind in Hong Kong while their family emigrates to Canada.
A desperate love story between two young girls of extremely different social backgrounds who, unable to find a place for their love in the world they live in, are pushed to commit a crime.
Based on the true story of Valerie Solanas who was a 1960s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.