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The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
Martin Kušej's brilliant 2006 Carmen represents a landmark interpretation of a truly timeless opera. Led by Rolando Villazón as Don José and Marina Domashenko in the title role, the virtuoso cast joins forces with the celebrated Staatskapelle Berlin under the direction of the legendary maestro Daniel Barenboim.
Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.
The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.
Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”
Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.
This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.
