Nickel Boys 2024 - Movies (Feb 11th)
Hard Truths 2024 - Movies (Feb 11th)
Bring Them Down 2024 - Movies (Feb 10th)
Becoming Led Zeppelin 2025 - Movies (Feb 10th)
Marked Men Rule + Shaw 2025 - Movies (Feb 10th)
Street Punx 2024 - Movies (Feb 10th)
Fox and Hare Save the Forest 2024 - Movies (Feb 10th)
The Wish Swap 2025 - Movies (Feb 9th)
Heart Eyes 2025 - Movies (Feb 9th)
I Thought My Husbands Wife Was Dead 2024 - Movies (Feb 9th)
Better Man 2024 - Movies (Feb 9th)
Turn Me On 2024 - Movies (Feb 9th)
Melanies Grave 2024 - Movies (Feb 8th)
Reality Bites A Hannah Swensen Mystery 2025 - Movies (Feb 7th)
Black Diamond 2025 - Movies (Feb 7th)
Horror Able 2024 - Movies (Feb 7th)
Fight Another Day 2024 - Movies (Feb 7th)
Down Below 2024 - Movies (Feb 7th)
Over The Red River 2024 - Movies (Feb 7th)
Modì Three Days on the Wing of Madness 2024 - Movies (Feb 7th)
Daytime Revolution 2024 - Movies (Feb 7th)
Nickel Boys 2024 - ()
Hard Truths 2024 - ()
Bring Them Down 2024 - ()
Becoming Led Zeppelin 2025 - ()
Marked Men Rule + Shaw 2025 - ()
Street Punx 2024 - ()
Fox and Hare Save the Forest 2024 - ()
The Wish Swap 2025 - ()
Heart Eyes 2025 - ()
I Thought My Husbands Wife Was Dead 2024 - ()
Better Man 2024 - ()
Turn Me On 2024 - ()
Melanies Grave 2024 - ()
Reality Bites A Hannah Swensen Mystery 2025 - ()
Black Diamond 2025 - ()
Horror Able 2024 - ()
Fight Another Day 2024 - ()
Down Below 2024 - ()
Over The Red River 2024 - ()
Modì Three Days on the Wing of Madness 2024 - ()
Live performance of Alban Berg's opera at the Gran Teatre del Liceu, Barcelona. Inspired by "Pandora's Box" by Frank Wedekind, Lulu describes the social ascent and the demise of a deadly woman, driven by men to behave in murder, to her own. dead.
Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe’s leading opera directors, gives the biblical story—already filtered through the beautiful and strange imagination of Oscar Wilde’s play—a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.
Figaro and his betrothed Susanna are preparing for their wedding day. The Count, Figaro's master, has plans to use his ancient right to sleep with Susanna on their wedding night. The couple and the Countess plot to keep the Count at bay.
The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.
Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)