She Whoops To Conquer

A shoe. A sharpie. A house party. A high school crush.

Set in the 1950s, this prequel to Keeping Up Appearances looks at the life, relationships, and aspirations of 18-year-old Hyacinth. Long before she becomes Mrs. Bucket (pronounced Bouquet), young Hyacinth is already dreaming of matching china and a bedroom in pastel shades. If only her family were more like the upper-class Cooper-Smiths in whose home Hyacinth works as a maid.

Norman Bumper isn’t your average party-goer. In fact, it’s his first party and most definitely his last when a series of events leads to the death of one of his class mates.

It narrates the story of two grandmothers in the backdrop of their children, families, and an old age home.

Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.

As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.

Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies - the very building blocks of love.

It's an afternoon in Versailles, during the reign of Louis XIV.

When journalist Dennis gets assigned to write about Pretty Woman for Marquee magazine's “Hooray for Hollywood Hookers” issue, he invites five friends over to screen, celebrate and skewer the modern-day Cinderella story. The partiers include his roommate Tony, a burnt-out cruise ship crooner who's desperately looking for a new gig on land; Lauren, a relationship-challenged aspiring stand-up comic; Marcos, a sweet-natured attorney who never met a tangent he couldn't go off on; Ross, an Opera-loving video clerk with multiple tattoos and arsenal of movie fun facts at the ready; and Dr. Beverly Beaverman, the shrink next door who finds Freudian psychological meanings in everything she sees. Together, they do their best to make sense of the 1990 Richard Gere-Julia Roberts romantic comedy classic while discovering that the movie's themes—sex, money, sex for money—resonate in their lives in ways both ridiculous and profound.

Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy - who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy's chatty butler must suss out the culprit before the body count rises.