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**NO is a complete sentence in itself. Period.** There are movies that have great plot lines, there are movies that have great actors who make the movie great, there are movies which have great directors. But this is a movie with a great message and one that our Indian society needs to listen, believe and enact upon. Incidents happen and are forgotten, people speak and they go quiet, mass movements are organized and they fade. But our mindset has not really changed. We still judge a woman's character by the way she dresses, the way she starts to feel comfortable with someone, by the time she steps in and out of home, by her choice of consuming alcohol or not, and the list can grow pretty long. PINK tries to make that exact same point that any sane society believes in, that we cannot have different set of rules to judge someone's character. One gender cannot be judged by some specific set of rules that do not apply to the other gender. In fact, it isn't even about the gender, judging anyone's character is a crime we all commit when none of us can measure our own selves with the same set of rules in the same scale of balance and come out of it pure and serene. Now, going towards the movie's review, this movie shouldn't be judged by it's story line, direction, editing, cinematography, or the acting. All of which were commendable in their own way so as to put through the point that the movie was trying to present to the audience precisely. Rather, it should be judged by the fact that our society deeply suffers from this disease of judging a woman's character and act with her in a manner according to the outcome of our judgement as we see fit. The part where Rajveer's character says that everybody present in the courtroom would feel the same way bout girls like these sums up the thought process of a great part of our society. Amitabh Bachchan's character's expressions in the end personifies the sorry state our country would feel at times like these. When we have to issue a manual about the woman's safety in our society. The points mentioned by Deepak Sehgal that should be there in the manual are cruel but true. I can go on and on about the greatness and seriousness of the point that the director has tried to put across, but it'd all be for nothing if we'd feel that it was another good movie that made a good point. We need to change the way we grow up our boys and nurture them with the idea of respecting a woman's modesty and understand the firmness, completeness and absoluteness of the word NO. I wish dearly that I witness this change in our society in this lifetime where movies like PINK are no longer NECESSARY to make us realize that the way we treat women in our somewhat modern society, sometimes, is inhumane. Going away from the preachy tone of this review I'd like to mention that the acting of all the characters, Amitabh Bachchan, Tapsee Pannu, and the other girls, Kirti and Andrea in fact, especially was just what was required, nothing less nothing more. It was believable and you could feel their helplessness. The direction by Aniruddha Roy Chaudhary was really good. All in all, for me, this is more than your good , bad, average Bollywood movie. Seemed like a message to be thought and enacted upon, by Shoojit Sircar
A woman's attempted murder of her uncaring husband results in everyday quarrels in the lives of Adam and Amanda, a pair of happily married lawyers who end up on opposite sides of the case in court.
Gul is a famous singer, married to Captain Engin, who has studied law. Engin goes to Korea during the war. One day Gul is told that he is dead. Her violinist, Cemil fancies her. One day Gul meets Engin again, yet Cemil continues molesting her. Engin takes his daughter while Gul gives becomes an alcoholic and is miserable. Engin learns about her condition and decides to go to her but in a car accident he becomes blind. Gul starts to work in their house under a false name, Seher. In the meantime she gives piano lessons to their daughter Oya. Engin regains his eyesight after a surgery. Cemil attempts to rape Oya, but Gul reaches in time, saves Oya and kills Cemil. Oya finds out that Gul is her mother and asks Engin to defend her in court. A happy future awaits all three.
In a snowy Kurdish mountain village, in the east of Turkey, an old woman Berfé and her granddaughter Jiyan are distressed. The only man in the household, Temo, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrested all the men and announced that they will be kept in prison until their families hand over the weapons. The problem is that there are no weapons in the village. Desperate, Berfé and Jiyan embark on a long journey, in search of a gun which they could exchange for their beloved Temo. Will the old woman and her innocent granddaughter find a way out of the inextricable Kurdish identity conflict?
Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading to the older man's death due to a weak heart. Joe and Mabel go on the run as he thinks no-one would believe a nobody like him.
Kaisa is a Scot, a successful London lawyer, who snorts coke and has one-night stands with strangers. Her mother calls from Aberdeen with some story begging her to fly to Norway and collect her alcoholic dad whom she hasn't seen in years.
Ten screenwriters collaborated on this series of tales concerning the effect a tailcoat cursed by its tailor has on those who wear it. The video release features a W.C. Fields segment not included in the original theatrical release.
After 31 years at-large, detectives in Wichita, Kansas hone in on the serial killer known as BTK.
A savings-and-loan bank is robbed; later, a police wiretap identifies bank teller Leon Poole as the inside man. In capturing him, detective Sam Wagner accidentally kills Poole's young wife, and at his trial Poole swears vengeance against Wagner. Poole begins his plans to get revenge when he escapes his captors.
When Guptan, a college lecturer, gets killed, the police suspect Gabriel to be the murderer. A girl takes help from her brothers, who are famous lawyers, in proving his innocence.
Manu travels from Dubai to Kochi to attain his goal, without which he will be in trouble. Public prosecutor Mathew Tharakan and taxi driver Muhammed have their own intentions to be pursued as well. Vasudeva Sanal's God's Own Country narrates the story of what happens to the three as they try to reach their destination.
