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Decent watch, probably won't watch again, but can recommend. I grew up watching The Smurfs, the CG Smurf animation is actually pretty good, but there is something about how they're personalized that rubs me the wrong way. Either the delivery is just different enough from the cartoon, or there is something about the Smurfs being in a modern world that I entirely disapprove of, or both. This reminds me a lot of "Yogi Bear" where in a movie, the title character(s) should be the main focus and the most enjoyable characters. It might have actually worked against them to put Neil Patrick Harris and Jayma Mays in this. I don't think they "upstaged" the little blue creatures, but they were, by far, the best parts of this movie, and their story was strong enough it could have been a movie to its own...in fact, I'm sure if I looked hard enough, I could find a "work is hard, I'm about to get fired, and we're about to have a baby" movie. For something as unique as the Smurfs, the movie puts a lot of money into it not being anything special. They could have saved a lot of money by making it a "girl running from her angry boyfriend" movie. They also have NPH specifically degrading the Smurfs for their general positivity in the same manner as the villain: this makes the audience villainize the lead protagonist in this movie, as the Smurfs are relegated to little than hostages in the human movie. Now, it's not to say that there isn't a certain level of charm to the Smurfs, but it's definitely not the Smurfs I remember, and having such a goofy villain is really all that saves the movie, and even then they go too far with some of the situations he is in.
All of the Clow Cards have been captured, and Sakura Kinomoto, the new Master of the Cards, is preparing to play the lead in the play for the town festival. However, a new evil force is causing mysterious events all over Tomoeda, including the disappearance of Sakura's cards. With Syaoran's help, Sakura must figure out the cause of these events, and save her town.
A collection of the best short, animated films from across the world curated by Mike Judge and Don Hertzfeldt. This collection contains the shorts: Welcome to the Show - by Don Hertzfeldt, Mt Head (Atama Yama) - by Koji Yamamura, Brother - by Adam Elliot, Parking - by Bill Plympton, The Adventures of Ricardo - by Corky Quakenbush, Moving Illustrations of Machines - by Jeremy Solterbeck, La Course A L'Abime - by Georges Schwizgebel, Billy's Balloon - by Don Hertzfeldt, Cousin - by Adam Elliot, Cathedral (Katedra) - by Tomek Baginski, Intermission in the 3rd Dimension - by Don Hertzfeldt, Fifty Percent Grey - by Ruari Robinson, Uncle - by Adam Elliot, Early Pencil Tests and Other Experiments - by Mike Judge, Aria - by Pjotr Sapegin, Bathtime in Clerkenwell - by Aleksy Budovski, The Rocks (Das Rad) - by Chris Stenner and Heidi Wittlinger, The End of the Show - by Don Hertzfeldt
Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.
Fievel and his friend Tony Toponi find a map that they believe points to a treasure buried somewhere beneath Old New York, and the plucky rodent is determined to find it. However, what he discovers under the city is a tribe of Native American mice who were driven underground by prejudiced European immigrants.
Hellboy comes to England, where he must defeat Nimue, Merlin's consort and the Blood Queen. But their battle will bring about the end of the world, a fate he desperately tries to turn away.
The story of Alice in Wonderland, explored in the stop-motion world of the Quay brothers.
Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.
The ultimate wish-fulfillment tale of a teenage Gran Turismo player whose gaming skills won him a series of Nissan competitions to become an actual professional racecar driver.