The Magnitsky Act. Behind the Scenes

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Katiana talks about her experiences as a woman in Haiti. As a woman, she faces many limitations and abuses from men who are more privileged than she is. Despite the difficulties of her condition, she has found the courage to achieve greater personal and financial independence.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

This documentary exposes the massive public health dangers of genetically modified organisms (GMOs). The film features the world's leading scientists, physicians, professors, politicians, attorneys, and environmental activists who reveal the frightening truth surrounding the vast use of GMOs in our food supply. You'll see the deception and deep layers of corruption being perpetuated against the public at large by the world's largest and most powerful biotechnology companies, chemical companies, agricultural companies, and governments.

A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.

Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)

An investigation into how the Clintons have amassed millions in personal wealth through foreign contributions to the Clinton Foundation, a supposed charity, in exchange for political favors while Hillary Clinton was the US Secretary of State.

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

The story of Tony Blair's destruction of the Labour Party, his well-remunerated business interests, and the thousands of innocent people who have died following his decision to invade Iraq.

A deeply human portrait of the chaotic reality of the US - Mexico border. Full of stunnig images and crafted like a classic city-symphony where the sum of the pieces add up to a larger whole, Purgatorio, a Journey Into the Heart of the Border brings together a universe of small stories to create a compelling and visceral cinematic experience that takes audiences into the very soul of life on the border.