Il fiume ha sempre ragione

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Why has letterpress printing survived? Irreplaceable knowledge of the historic craft is in danger of being lost as its caretakers age. Fascinating personalities intermix with wood, metal, and type as young printers save a traditional process in Pressing On, a 4K feature-length documentary exploring the remarkable community keeping letterpress alive.

Hanzi is a documentary exploring international design, visual culture, and identity through the lens of modern Chinese typography. The film covers a variety of topics such as how languages shape identity, and what role handwriting plays in the digital age.

A portrait of the inventor of the letterpress, who was a key figure in the history of mankind, but also an enthusiastic inventor, a daring businessman, a tenacious troublemaker: the life of Johannes Gutenberg (circa 1400-68).

Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.

A short, educational animation about the history of fonts and typography. In a paper cutout stop-motion style, it begins with Gutenberg's creation of the first typeface, travels through the innovations of Jenson, Caslon, and Bodoni, to the modern creation of Futura and the democratization of fonts in the digital age. A charming, engaging film about a technology that is all around us, but few people know much about.

A fascinating documentary about Piet Zwart (1885–1977), an idiosyncratic and stubborn designer, who lived for innovation and prepared the way for the international success that is now known as Dutch Design. Piet Zwart worked as an interior and industrial designer, commercial typographer, photographer, critic and lecturer, playing a key role in defining the design climate in the Netherlands in the Twentieth Century. He is especially known for designing the famous ‘Piet Zwart’ kitchen for the Dutch company Bruynzeel: a kitchen that could be easily produced and consisted of standardized elements. His versatility and influence on present-day designers led the Association of Dutch Designers to award him the title of “Designer of the Century” in 2000.

Dedicated Dutch graphic designer Piet Schreuders visits Los Angeles to investigate all kinds of typeface as used in title-credits for movies and TV-series, letters on billboards, shop-windows or street-signs, the banner-headlines of The Los Angeles Times, and climbs finally to the giant letters of the HOLLYWOOD-sign. In the meantime he discovers, to his great satisfaction, the location and stairs where Stan Laurel and Oliver Hardy shot their movie 'The Musicbox', by combining street-signs, partially shown on still-pictures of this movie: "…MONTE" and "…ENDOME", which turn out to be found on the street corner of Del Monte and Vendome in Culver City. This documentary is bluntly intercut with commercials, a phenomenon not yet known in the Netherlands in 1979. (Theo Uittenbogaard)

A documentary film about Adriano Olivetti.

Words that end in -ake and start with ch-. A typographic animation.