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A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.

Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.

On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.

Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”

Alex is very close to his elderly grandmother partly because his busy parents seem to have little or no time for him. One day he surprises two boys from his school leaving her house and is shocked to find her tied up inside – they have robbed her! Alex is sworn to secrecy as his gran is worried that her daughter will think her incompetent. This secret leads Alex into trouble as the two boys accost him in the street and bully him into becoming a pickpocket ("tasjesdief") for them, mugging old ladies. Alex learns how to deal with this situation in the end.

In the sequel to Saltimbancii (1981), Fram the polar bear and the performing Marcellonis weather plotting competetors, bumbling kidnappers and family tragedy in this entertaining family film.

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?

‘E-e-emil!’ shouts father across the small farm in Katthult, the boy is up to his old tricks and will have to be banished to the woodshed. Except that Emil doesn’t see this as punishment – on the contrary: he locks the door from inside so that he can continue undisturbed to carve another of his wooden figures, of which he has a whole collection. His little sister Ida also wants to sit inside the shed, but she’s too well-behaved. This new adaptation of Astrid Lindgren’s beloved tales from her book ‘Emil of Lönneberga’ portrays the sunny side of life in the country at the beginning of the twentieth century.

The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.