Même pas mal

A filmed conversation between Winton Dean and Jonathan Balcon about their fathers Basil Dean (1888 –1978) and Michael Balcon (1896 –1977). Both men helped to pave the way for the British film industry.

Somewhere in the world right now-much closer than you think-people are playing with trains. You might not see them at first, but they're there. In basements. In garages. In converted Army barracks. They're among the world's most compelling underground communities.

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

Three Carleton College students take on the challenge of ditching computers to find out how their academic, social, and work lives will be affected. No Facebook. No e-mail. No YouTube. How will they get their work done? Will they cheat? Who will survive the longest? This documentary follows Andrew, Caitlin, and Chel as they learn to interact with themselves and with others in ways we have largely forgotten.

Participant Media’s Last Call at the Oasis is a new documentary from Jessica Yu & Elise Pearlstein. Think water is an infinite resource? Think again.

The world of environmental direct action has been a secretive one, until now. With unprecedented access, Emily James spent over a year embedded in activist groups such as Climate Camp and Plane Stupid, documenting their clandestine activities. Torpedoing the tired cliches of the environmental movement, Just Do It introduces you to a powerful cast of mischievous and inspiring characters who put their bodies in the way. They super-glue themselves to bank trading floors, blockade factories and attack coal power stations en-masse all despite the very real threat of arrest. Their adventures will entertain, illuminate and inspire.

A staged psychosis and suicide attempt at the Liljeholmsbron in Stockholm, Sweden, in order to initiate a debate about the Swedish health care system.

In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.

Japanese avant-garde artist Yayoi Kusama is best known for her inexhaustible creations involving polka dots, pumpkins, and vibrant colors. Her love of design has seen her join forces with top fashion houses.

Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.

In a rough style, by way of unique footage, the brutal consequences of modern wars are exposed. The film also depicts the ability of women and children to handle their everyday life after a dramatic war experience. Many of them live in tents or in ruins without walls or roofs. They are all in need of money, food, water and electricity. Others have lost family members, or are left with seriously injured children. Can war solve conflicts or create peace? The film follows three children through the war and the period after the ceasefire.