Iran : une puissance dévoilée

A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.

The story of actor Kirk Douglas, the man and the legend, one of the last stars of the Golden Age of Hollywood. An epic journey through the 20th century and the entire history of Hollywood. A testimony of the huge scope of his life and the scale of the myth. The untameable Kirk Douglas, the ragman's son.

A documentary on gay, lesbian, and transgender Muslims across the Muslim and Western worlds.

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?

Obsession is a film about the threat of Radical Islam to Western civilization. Using unique footage from Arab television, it reveals an 'insider's view' of the hatred the Radicals are teaching, their incitement of global jihad, and their goal of world domination.

In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. (Storyville)

First Case, Second Case is a documentary about a teacher who sends a group of pupils out of the classroom when one of them does not own up to talking behind the master's back.

PUMP is a documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and explains clearly and simply how we can end it — and finally win choice at the pump. Today, oil is our only option for transportation-fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. PUMP shows how, through the use of a variety of replacement fuels, we will be able to fill up our cars — cheaper, cleaner and American made — and in the process create more jobs for a stronger, healthier economy. Narrated by Jason Bateman and featuring notable experts such as John Hofmeister former President of Shell Oil, and Elon Musk, the CEO of Tesla Motors, PUMP will forever change the way you think about your car — and the fuel that powers it.

Few comedians can stir up controversy like the legendary Paul Mooney - writer for Richard Pryor, creator of In Living Color's Homey the Clown and featured guest on Chappelle's Show. With his characteristic brutal honesty, Mooney passionately and hysterically charges into the electrified currents of racial tension. In this magnificent standup performance at Hollywood's Laugh Factory, Mooney earns a standing ovation with his relentless no-holds-barred observations on black history, stereotypes and prejudices, living in White America, celebrity divas and much, much more!

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.