The Dying Gaul

The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.

The Drakenhjelm family has lived in the Rautakylä manor for over 150 years. The current master of the house, elderly baron Magnus, has been living for a long time in an unregistered relationship with his housekeeper Lisette, with whom he also has a son, Sebastian. After the baron falls gravely ill Lisette starts getting worried about losing everything, so with Sebastian on her side she demands the baron to write a letter to the pastor and ask him to come over to perform a wedding ceremony. Right after Sebastian has left to fetch the pastor, a threesome seeking shelter from the storm comes to the manor and wreaks havoc on the marriage plans.

Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

Two couples meet for a painful and raw conversation in the aftermath of a violent tragedy.

At 16, Gabriel takes over the camera of his deceased older brother and films his daily life with his little sister who is growing up, his mother who is sinking into madness and a boy from his neighborhood. An unexpected encounter will lead Gabriel to film a first love.

It’s quintessentially late afternoon Californian sun. The eponymous house gently hosts a number of clipped social encounters. Each of these denotes dynamics of power in race, gender and class. While it’s the macaw that seems ostensibly and literally caged, Bravo’s drama of manners suggests that every single one of us may not be quite as uncaged as we assume.

Two former high school buddies meet on a raki night in Beyoğlu after 17 years. As they drink and talk they realize another life is possible on a land where toxic masculinity does not exist. They represent the great divide in Turkish gay society: The lonely self-declared homosexuals and the married hypocrites.

Twenty-year-old Henri Rebecque wants to make his dream come true: to bring Benjamin Constant's Adolphe to the screen in amateur format. Armed with a sixteen-millimeter camera and a team of friends, Henri embarks on this adventure, playing the role of Adolphe himself. Despite all the warnings, he lived through the passion and ordeal of the novel's hero, right to the end. Different times and circumstances will not change this.

Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.

Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.