Must Be the Music

Daniel is an odd guy who lives with his endlessly quarrelling parents uncomplaining about his destiny. He keeps a distance from other people, he has no friends, nobody understands him, he is different. He will be turning nineteen and the last thing he would spend his time on is a preparation for his approaching graduation. Adam is his class teacher. He is gay who lives in a relationship with his younger partner David and his strictly guarded secret keeps locked behind a door of their apartment. Daniel and Adam live in their own bubbles until a moment when they both happen to be together in life threat. Lost in the darkness, cut off from the rest of the world, they are both looking for a way out. How far will they be willing to go?

A dance dramatic satire about a boy exploring his home only to discover who he want to become. Each scene contains a stereotype or stigma that a male dancer deals with. There are 35 different stereotypes and stigmas that a male dancer faces, from being labeled gay (even if they are not) to the clothes they have to wear. Can you identify all 35 in the film?

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.

Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.

Blank-faced bug killer Bill Lee and his dead-eyed wife, Joan, like to get high on Bill's pest poisons while lounging with Beat poet pals. After meeting the devilish Dr. Benway, Bill gets a drug made from a centipede. Upon indulging, he accidentally kills Joan, takes orders from his typewriter-turned-cockroach, ends up in a constantly mutating Mediterranean city and learns that his hip friends have published his work - which he doesn't remember writing.

Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.

Pablo is seen less and less in the neighborhood. So much so that his friends no longer even know what's become of him. His secret: he has a passion for horse-riding and hides, for fear of having to cope with other people's attitudes. One day, his pals discover the truth. Pablo must then must make a major decision: to come to terms with himself and become the first cowboy in the projects.

A young teacher in Zurich in the 1950s falls in love with a transvestite star but is torn between his bourgeois existence and his commitment to homosexuality. He joins a gay organization that is eventually seen as the pioneer of gay emancipation in Europe.