Lost in Tomorrow 2023 - Movies (Dec 24th)
The Forge 2024 - Movies (Dec 24th)
Christmas in Maple Hills 2024 - Movies (Dec 24th)
Christmas with the Prince 2023 - Movies (Dec 24th)
Christmas with Jerks 2023 - Movies (Dec 24th)
Christmas at Keestone 2023 - Movies (Dec 24th)
A Novel Christmas 2024 - Movies (Dec 24th)
Chiefsaholic A Wolf in Chiefs Clothing 2024 - Movies (Dec 24th)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
A Fireman for Christmas 2024 - Movies (Dec 24th)
Your Friend Nate Bargatze 2024 - Movies (Dec 24th)
SuperKlaus 2024 - Movies (Dec 24th)
Our Christmas House 2024 - Movies (Dec 24th)
The Order 2024 - Movies (Dec 24th)
Werewolves 2024 - Movies (Dec 24th)
Y2K 2024 - Movies (Dec 24th)
Gladiator II 2024 - Movies (Dec 24th)
Moana 2 2024 - Movies (Dec 23rd)
A Killing in Tiger Bay - (Dec 25th)
WWE NXT - (Dec 25th)
WWE NXT- Level Up - (Dec 25th)
Hard Knocks - (Dec 25th)
Make Some Noise - (Dec 25th)
Monster High - (Dec 25th)
The Madame Blanc Mysteries - (Dec 25th)
The Beat with Ari Melber - (Dec 25th)
The ReidOut with Joy Reid - (Dec 25th)
University Challenge - (Dec 25th)
All In with Chris Hayes - (Dec 25th)
Alex Wagner Tonight - (Dec 25th)
The Last Word with Lawrence ODonnell - (Dec 25th)
The Bold and the Beautiful - (Dec 25th)
The Price Is Right - (Dec 25th)
Star Wars- Skeleton Crew - (Dec 25th)
Deadline- White House - (Dec 25th)
The Worlds Strongest Man - (Dec 25th)
Lets Make a Deal - (Dec 24th)
The Young and the Restless - (Dec 24th)
An important story to tell no doubt, but as a film it's a disappointment in my opinion. Of course I cared for the characters from the first second due to the obvious subject matter, but that's as far as I ever got. It's a long 143 minutes, with one scene in particularly lasting an age without really doing much; except the final act of it. A film needs to do more, if this was a documentary - even a docudrama - then fair enough but it isn't. It also wastes a pretty top notch cast. John Boyega is in this, portraying Melvin Dismukes. The amount of times he's just there standing around doing nothing is frustrating, he has a few moments where he gets to act and you can see his phenomenal talent - especially one time where you see the effect of events on Melvin - but that's about it. A waste. Similar can be said for Anthony Mackie, star of one of my favourite films in 'The Adjustment Bureau'. He plays such a minor role, you cast someone like Mackie you gotta use him more surely? Will Poulter gets most of the screen time. He's good I guess, not sure we need to see quite as much of him as we do - given his character is an open/shut case. Elsewhere, you have other familiar faces like Tyler James Williams (shoutout Noah) and John Krasinski. I don't intend to crap on this film. It's clearly well made, has great intentions and relays a notable story. I'm just disappointed with the end product, I judge films as films and 'Detroit' is rather underwhelming.
Based on a true story, and on the facts - insofar as they will ever actually be known - this is a gritty and quite depressing depiction from Kathryn Bigelow of one traumatic night in the city. It was during a night of rioting that a squad of police officers respond to reports of gunshots at a city hotel. Upon entering they discover a group of black youths, a couple of white girls - and what follows is a potent mix of racial hatred, bigotry and violence as the boys in blue leave what integrity they might have had at the door and leave again with three dead bodies and nine others savagely beaten to show for their policing efforts. Will Poulter sheds his nice but dim "Harry Potter" image and is really effective as the lead officer bent off exacting his own stye of justice, Ben O'Flynn also works well as his complicit sidekick and there are strong performances from Anthony Mackie, Algee Smith and from John Boyega as the state policeman trying to do his best to tread the very perilous line between law enforcer and African American. It shies not from presenting us with a ghastly human face for the spontaneous and plausible attitudes of superiority and disdain held by the polices and depicts with some menace how their captives are terrified and humiliated by the people they ought to heave been able to trust - and that extends to the "slutty" two white girls too. It's really one ensemble effort, the direction is taut and at time the whole thing just has a relentlessness that does make you wonder (I am not an American) how the hell this could ever have happened in a land that purported to be civilised and free (in 1967). Not an easy watch, but the events in Detroit 50-odd years ago still resonate with issues of policing and racism just a potently now, as when this is set.
Prism is an anthology feature, exploring several genres - comedy, dark-comedy, drama, science-fiction, and suspense. With the only connection being the overall theme; the irrationality of love.
Two thieving teenage brothers, stealing money to help their sick mom, match wits with a troubled security guard stuck at the bottom of a forgotten well.
Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.