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New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.

A sensitive man struggles to survive in a macho environment.

A woman experienced violence by her own husband on a remote road. A man passing by managed to save him. However, there was something strange about the woman that the hero didn't realize on the quiet street.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

The earth shook. The sea roared. And then… There is a small house solitary standing by the seaside. A young girl has been living there alone since that fateful day. Mail is no longer delivered, but even this morning, she’s hanging out the laundry as usual. She’s unaware that all around her, the clothes pegs are quarreling, the pillow argues with the umbrella about the outside world, and the new toothbrush is unsuccessfully trying to charm the grumpy older ones. Do objects exist to be used until they are consumed or broken? Are they afraid of being thrown away once their life cycle is complete? A delicate story of hope in a cruel and gentle world after an unnamed disaster.

A man develops an intimate relationship with a female android.

After falling in love with an erotic masseuse, a lonely parking booth attendant must step out of his comfort zone to liberate her from her oppressive boss.

A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.